Friday, January 21, 2005

Friday, Jan. 21, 2005

native american arts daily news, presented by
amerindianarts.us

New Mexico Natives plan American Indian Day
Tulsa Native American Times - Tulsa,OK,USA
... A Native American Casting Call will be sponsored by the Film Department. A reception will follow that evening at the Museum of Indian Arts and Culture from 5 ...

Five picks for the 'People'
OregonLive.com - Portland,OR,USA
... Arts of the Oregon Territory," is the biggest and perhaps longest-brewing exhibit of Bill Mercer's career. Mercer, the museum's curator of Native American art ...
See all stories on this topic

Museum and Gallery listings
Long Beach Press-Telegram - Long Beach,CA,USA
... metalwork, textiles and works on paper showcasing the arts and crafts ... The museum's permanent collection includes artifacts of the Native American tribes of the ...

13 distinguished individuals to lecture for Assembly Series
Washington University Record - Washington,USA
... Afro-American Studies and of American Culture Studies, all in Arts & Sciences ... books of poetry, novels and short fiction address the Native American experience. ...

Guest Column: Essex County offers array of winter activities
Danvers Herald - Beverly,MA,USA
... in fine arts, decorative arts, fisheries and ... wide collections of maritime, American decorative, Korean ... African, Chinese, Japanese and Native American art along ...

Out & About
Press-Enterprise (subscription) - Riverside,CA,USA
... FENDER MUSEUM OF MUSIC AND THE ARTS, "The 50th Anniversary of the ... MUSEUM, "Death Valley is Alive" ; exhibits on natural, local and Native American history, 9 am ...

Get Out Guide
OregonLive.com - Portland,OR,USA
... indoor exhibit areas that include "By Hand Through Memory," a permanent exhibit of Native American artistry by Doris Swayze Bounds; visual-arts displays; and ...
See all stories on this topic

John Hope Franklin: 90 years of making history
The Duke Chronicle - Durham,N.C,USA
... his career by receiving his Masters of Arts degree in ... family's history as he is in American history ... man growing up in the former Native American territory of ...

Whose Culture Is It?
The Jewish Journal - Los Angeles,CA,USA
... in 1988 by two non-Jews, it has become a major arts festival that ... West (Gruber's next book is about how Europeans have taken up Native American and cowboy ...

 This once a day Google Alert is brought to you by Google.



Date: Fri, 07 Jan 2005 01:56:00 -0000
From: "ghwelker"
Subject: Living in America: The American Indian Experience
The American Museum of Natural History
presents
Living in America: The American Indian Experience

Three Saturdays,
January 15, 22 and 29
1:00-5:30 p.m.
Kaufmann Theater, first floor

Learn about the indigenous cultures of the Northeast through lectures, performances, and films. Journey through "Native New York" with Evan T. Pritchard, founder of the Center for Algonquin Culture, and learn how Broadway used to be the Mohican Trail. Enjoy the Mohawk Singers and Dancers, and take a look down the "Pow Wow Highway" with actor Gary Farmer, and much more. For details, visit
or
call 212-769-5315.
From: borreror@amnh.org


From: "ghwelker" Subject: 28th Annual California Conference on American Indian Education

CALL FOR STUDENT WRITING

The 28th Annual California Conference on American Indian Education is approaching quickly and, once again, we wish to showcase the writings of American Indian students from our state in a small booklet (chapbook) available to each participant who attends the conference. We are requesting poetry, short stories, and photography from all K-12 American Indian youths who reside in California. This is the fourth year we have requested photographs. If possible we would prefer black and white photographs but will accept color. All submissions should address the conference theme "Educating Tomorrows Leaders." Photographs and writings that demonstrate the power of intergenerational education, whether formal or cultural, are especially welcome. Please inform your youths about this opportunity to have their work published and encourage them to submit their writings to:

American Indian Education Program
1919 B Street,
Marysville, CA 95901
Phone: (530) 749-6196 Fax: (530) 741-7840
email: jgraham@mjusd.k12.ca.us

Copyright will remain with the authors. Works submitted for publication will not be returned, so please send copies only. Each youth who is published will receive two free chapbooks from the Conference Planning Committee. All works should be submitted for review by Monday, March 7, 2005. Along with each submission, please include the following information:
Student Name Tribal Affiliation
Age of Student
Phone Number
Address Sponsoring organization (i.e., Title IX, IEC, or school)

We are looking forward to publishing the writings and photographs of our California Native American youths. If you have any questions, please contact James Graham at (530)749-6196.

Thank you, The 28th Annual California Conference on American Indian Education


From: "ghwelker" Subject: INDIAN HISTORY - 8000 BC to Present (THE MIGRATION CONTINUES) INDIAN HISTORY - 8000 BC to Present
http://www.telusplanet.net/public/dgarneau/indian4.htm
CANADIAN HISTORY
http://www.telusplanet.net/public/dgarneau/direct.htm
METIS NATION A COMPLETE HISTORY 1600 - 1900
http://www.telusplanet.net/public/dgarneau/metis.htm
THE true CANADIAN HISTORY 128,000 BC - 2003 AD
http://www.telusplanet.net/public/dgarneau/indian.htm
GENEALOGY of CANADIAN ANCESTORS
http://www.telusplanet.net/public/dgarneau/gene.htm


From: "ghwelker" Subject: EARLY INDIAN CULTURE PHOTO GALLERY

Photo Index http://members.tripod.com/photo1999/dir.htm

EARLY INDIAN CULTURE PHOTO GALLERY http://members.tripod.com/photo1999/photo-a.htm

IF THERE APPEARS TO BE A BIAS TOWARDS THE OJIBWA PEOPLE, THERE IS

THESE ARE MY DIRECT METIS ANCESTORS

EARLY INDIAN CULTURE Photo is of pictograph before 6,000 B.C. The early people hunted the Woods Bison (buffalo) and the Mastodon or possibly a Mammoth?

VIKING EXPLORERPhoto is of Viking about 1,000 A.D. The Viking explored and settled in Canada. Some information suggests they reached Manitoba via the Hudson Bay and the Great Lakes.

EARLY ALGONKIAN and WENDAT TRADING SITE Photo is of Indian trade site 17 century This depicts a traditional Indian trading camp. During the early European trading period, the Wendat (Huron) were the middlemen in the Peoples trade with the Europeans.

INDIAN IN CANOEPhoto is of Indians in canoe 2,500 B.C. to modern times The Algonkian were the canoe builders and were the main supplier to the Iroquois Nations to the south of Canada. The canoe has been in use from before 2,500 B.C.

OJIBWA DOMED LODGEPhoto is of OJIBWA DOMED LODGE The Ojibwa lodge is of framed construction covered with Black Ash and Birch Bark. It is noteworthy that frame construction was not used by the European Canadians until much later. The domed construction appears to be used by semi-sedentary peoples where as the tipi is used by those engaged primarily in hunting.

OJIBWA SHAMANPhoto is of OJIBWA SHAMAN IN DOMED LODGE The Ojibwa Shaman is in a domed lodge, you can see the framed construction. The Shaman is using the sucking tube to withdraw the cause of the illness. These tubes are also used to extract foreign objects from his patients. These 'Shaman Medicine Men' had to apprentice longer than the Medicine men of Europe.

1608 OJIBWA WILD RICE HARVESTPhoto is of Ojibwa harvesting wild rice The Ojibwa are harvesting wild rice by knocking it into their canoe. The rice heads are tied to protect against wind and wildfowl and are looped in such a way that each family can identify its own rice. Iroquois nations to the south are not known to harvest rice. Their grain mainstay is corn.

1536 DOM AGAYA AND CARTIER Photo is Dom Agaya Dom Agaya saved the French Cartier expedition in 1536

1720 IROQUOIS VILLAGE FORTPhoto is of Iroquois fort This Iroquois village fort layout is from 1720.

WENDAT PALISADED VILLAGEPhoto is of an Indian Village A palisade Wendat village

EARLY IROQUOIS HARVESTPhoto is of Indian harvest The Iroquois had a communal harvest presentation ceremony.

OJIBWA FISHING AT THE SAULTPhoto is of Sault Ste Marie The Ojibwa and other nations gathered at the Sault (Sault Ste. Marie) since about 1500 to fish the rapids.

1785 CREE AT TRADING POSTPhoto is of HBC TRADING POAST The Cree at a unnamed Hudson Bay Trading post 1785.

TYPICAL PLAINS BUFFALO JUMPPhoto is of Indian buffalo jump The Great Plains People used the same buffalo jump for thousands of years. Great organization and leadership was required to co-ordinate these extensive hunts on foot. Evidence suggests 150-200 People are used to co-ordinate the hunt.

ALGONKIAN CARIBOU SKIN COATPhoto is of Indians coat The people were very innovative and freely adopted other cultural attributes that appealed to them. Most Natives attribute the innovation of the decorative design to the Metis. The functional design is a mix of European influence of fashion with Native influence of practicality.

LAKE HURONPhoto is of INDIAN ENCAMPMENT Indian encampment on Lake Huron. Lake Huron is named after the Wendat People who occupied the area when the French penetrated into this Region.

1857 INDIAN FAMILY IN CANOE. These are likely an Ojibwa family painted near Grand Portage by Eastman Johnson. Removed at the request of the St. Louis Country Historical Society - Bryan P Lean

1857 OJIBWA CAMP An Ojibwa camp near Grand Portage painted by Eastman Johnson. Removed at the request of the St. Louis Country Historical Society - Bryan P Lean

1857 OJIBWA WOMEN This painting by Eastman Johnson is of Ojibwa women near Grand Portage. Removed at the request of the St. Louis Country Historical Society - Bryan P Lean

1858 INDIAN PORTAGINGPhoto is of Indian portaging This painting by Cornelius Kriegnoff is of Indians portaging furs, location is not known.

MODERN INDIAN CULTUREPhoto is of Indian tipi The early tipi was made from animal skins this modern version of the tipi uses canvas.

BlackfootPhoto is of a Blackfoot A painting of a Blackfoot Indian by Zach


AEQ Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas

From: George Lessard
Subject: Book Review - Making Dictionaries: Preserving Indigenous Languages of the Americas

Subject: AEQ Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas

Frawley, William, Kenneth C. Hill, and Pamela Munro, eds. Making Dictionaries: Preserving Indigenous Languages of the Americas. Berkeley: University of California Press, 2002. 450 pp. ISBN 0520229967, $34.95.

Reviewed for the Anthropology & Education Quarterly by Catherine S. Fowler
University of Nevada
csfowler@unr.nevada.edu

This volume of papers provides fascinating perspectives on the processes and practices of dictionary making by several contemporary lexicographers, all of whom have struggled or are yet struggling to develop these important tools for indigenous languages in North America and Meso-America. Given that most of the 23 contributors are well known for their work in theoretical and/or historical linguistics, but also are actively involved in language preservation and restoration efforts, their accounts of the complexities, time and issues involved in developing dictionaries become even more important and significant. As noted in the introduction by Fawley, Hill and Munro, when one considers that a good dictionary "is a thousand pages of ideas and history, a guide to the mind and world of a people" (p. 22), developed by a person (rarely persons) who is "simultaneously a phonetician, morphologist, syntactician, and semanticist but also a sociologist, anthropologist, biologist, diplomat, therapist, mediator, and salesman" (p. 21), then the work and results deserve much more consideration than they are often accorded. Indeed, lexicographers are far from the "unfortunate drudges" that history suggests, but rather heros to be celebrated and lauded for their ultimate achievements. Readers of this volume will come away with that impression, as well as a genuine feeling for the real work and problems involved.


Subject: Sundance Institute's commitment to supporting Native Cinema

From: George Lessard

The Sundance Institute's commitment to supporting Native Cinema is woven throughout the 23-year history of the Institute along with its support for the artistic vitality of American Cinema. Rooted in the recognition of a rich tradition of story telling and artistic expression by Native Peoples, the Institute established a Native Program as a means of supporting the development of Native filmmakers and the exhibition of their work. The Sundance Institute has supported nearly 45 Native writers and directors over the past 23 years, and showcased nearly 100 films by Native filmmakers. The Sundance Film Festival's Native Forum is a gathering of Indigenous filmmakers from around the world, and offers opportunities for them to share their expertise and knowledge with each other and the independent film community through workshops, panels, networking events, and special screenings.
http://festival.sundance.org/2005/?=native&107

Native American and indigenous films screening in the 2005 Sundance Film Festival:

Screening in the U.S. DOCUMENTARY COMPETITION :
TRUDELL /U.S.A (Director: Heather Rae - Western Cherokee; Screenwriter: B. Russell Friedenberg)

Screening in WORLD DOCUMENTARY COMPETITION :
DHAKIYARR VS. THE KING /Australia (Directors: Allan Collins and Tom Murray - Willi Willi Nation)

Screening in AMERICAN SPECTRUM :
5TH WORLD /U.S.A. (Director: BlackHorse Lowe - Din?; Screenwriter: BlackHorse Lowe)

Screening in the SHORTS COMPETITION : FROM CHERRY ENGLISH /Canada (Director: Jeff Barnaby - Mi'gMaq)
GOODNIGHT IRENE /U.S.A. (Director: Sterlin Harjo - Creek/Seminole Nations)
NATCHILIAGNIAQTUGUK AAPAGALU - SEAL HUNTING WITH DAD /U.S.A. (Director: Andrew Okpeaha MacLean - Inupiaq)
PLAINS EMPTY /Australia (Director: Beck Cole - Warramungu Nation) PURA LENGUA (ALL TONGUE) /U.S.A. (Director: Aurora Guerrero - Xicana)
TAMA TU /New Zealand (Director: Taika Waititi - Te Whanau a Apanui)

Screening in the SPECIAL SCREENINGS :
A THOUSAND ROADS /U.S.A. (Director: Chris Eyre - Cheyenne/Arapaho Tribes)
GREEN BUSH /Australia (Director: Warwick Thornton - Kaytetye Nation)

George Lessard

Date: Sat, 1 Jan 2005 11:57:03 -0700
From: George Lessard
Subject: Our Land - Contemporary Art from the Arctic
Our Land - Contemporary Art from the Arctic
THROUGH JANUARY 30, 2005

From Nov. 26, 2004 through Jan. 30, 2005, the Peabody Essex Museum hosts Our Land: Contemporary Art from the Arctic, the first major museum exhibition of contemporary art from Canada's newest territory, Nunavut. The exhibition includes more than 50 artworks-from sculpture, prints, and textile art to photography, video, and sound installations-all created in the last half-century, a time of burgeoning artistic and cultural awareness and pride among Canada's Inuit. Our Land is a collaborative project of the Peabody Essex Museum, the Government of Canada, and the Government of Nunavut.

Newspaper coverage
Peabody Essex Museum
[excerpt]

Our Land: Contemporary Art from the Arctic , has received financial support from the Government of Nunavut's Department of Culture, Language, Elders and Youth, the Government of Canada, the Constance Killam Trust, and the Elizabeth Killam Rodgers Trust.

Visit the online exhibition
GEORGE LESSARD
Information & Media Specialist


Subject: Tlingit Whale House Series

Date: Mon, 3 Jan 2005 17:02:28 -0700 From: George Lessard

Nine years ago, brilliantly carved Tlingit artifacts linking the Chilkat people with their ancestors were sold and removed from the village of Klukwan. Since then, families, neighbors and lawyers have fought bitterly over ownership. No one sees them now.

By Marilee Enge

Whale House Series


Date: Sat, 01 Jan 2005 16:54:45 -0000
From: "ghwelker"
Subject: Museum loses Indian artifacts to burglary
Museum loses Indian artifacts to burglary
ASSOCIATED PRESS

DAGGETT - A break-in discovered Christmas Day has robbed the museum in this Mojave Desert town of its most prized possessions, including antique dolls and American Indian artifacts on loan from local families.

The thieves methodically cleared out glass display cases in the Daggett Museum, said curator Beryl Bell, who discovered the burglary when she went to feed her goldfish over the holiday.

"It's really heartbreaking for a small museum," Bell said Wednesday.

The stolen Native American artifacts include a basket appraised at $3,500, a Navajo sash and two large clay Acoma pots that had never been appraised but are very valuable, said Leslie Lloyd, the president of the Daggett Historical Society, which runs the museum.

The thieves also took antique dolls, model trains and other toys, farming implements and examples of rocks from the area, Lloyd said.

The thieves ignored the computers and copy machine in the office of a local government agency that shares the low-slung modular building with the museum, but they stole $2 in coins from Lloyd's desk and a museum donation jar that contained about $10, she said.

Despite the theft of the change, Lloyd believes the burglars were experienced, as they left no fingerprints and took steps to disable the alarm system -- even though it wasn't operational at the time of the break-in.

"This appeared to be a very neat operation and it appeared they had a shopping list," she said.

The historical society has notified the Antique Tribal Art Dealers Association, which plans to post news of the break-in on its Web site and will inform its 250 members.

The historical society is offering a $500 reward to anyone who can provide information leading to the arrest and conviction.
Glenn Welker
Editor, List Manager, and Web Master
for
Indigenous Peoples Literature


Hero, Hawk, and Open Hand
Early tribal artifacts put in spotlight
Little-known items focus of exhibit in Chicago

CHICAGO - A translucent, larger-than-life hand with long, tapering fingers lends an air of mystery to a new exhibit of ancient and little-known tribal art at the Art Institute of Chicago.

"Hero, Hawk, and Open Hand" opened Nov. 20 and runs through Jan. 30, 2005. It is scheduled to be shown at The St. Louis Art Museum from March 4 to May 30, 2005, and at the Smithsonian National Museum of Natural History from early July to late September.


Navajo artist Teddy Draper Workshops
Chinle, Arizona (Canyon DeChelly)- Seminars and workshops have limited capacity and usually require enrollment months in advance.

Workshop information for 2005

March 15-19, instructor Elmer Yazzie, "cut yucca brush" watercolor technique.

May 16-20, instructor Teddy Draper, Jr., pastel techniques, insights into art, culture, and connecting to nature.

June 7-11, Indian Jewelry Basics (class limited to 4 students).

June 7-11, instructor Teddy Draper, Jr., pastel techniques, insights into art, culture, and connecting to nature.

Contact Teddy Draper at
dechelly2000@yahoo.com

Web Sites:
Indigenous Peoples Literature
Wisdom of the Old People

Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.

Essay on the Zuni World View
Excerpt
(Complete article is available in PDF)

Cushing also cited an incidence where he showed a pole that accompanies a theodolite to an old Zuni man and asked him what he thought the name of it was. In response the old man inquired as to the use of the item. After briefly describing the implementation of the device the old man provided a rather lengthy sentence-word that Cushing translated as "heights of the world progressively measuring stick". The next day Cushing took the pole to the extreme corner of the pueblo and began "to flourish it around" until a middle-aged man relented to curiosity and asked what it was. Cushing then provided the Zuni name he had learned the day before and the man promptly requested, "Can they actually tell how far up and down journeying the world is?" [105].

Indian band seeks to regain its birthright
By David Whitney

Wintu Indians
At War Against Dam, Tribe Turns to Old Ways
Petition in Support of the Winnemem Wintu Tribe


Costanoan Family

A linguistic family on the coast of central California. In 1877 Powell (Cont. N. A. Ethnol., In, 535) established a family which he called Mutsun, extending from San Francisco to Soledad and from the sea inland to the Sierras, and including an area in the Marin County peninsula, north of San Francisco bay, and gave vocabularies from various parts of this territory. In 1891 (7th Rep. B. A. E., 70, 92, map) Powell divided this area between two families, Moquelumnan and Costanoan. The Moquelumnan family occupied the portion of the old Mutsun territory east of San Joaquin river and north of San Francisco bay.

The territory of the Costanoan family extended from the Pacific ocean to San Joaquin river, and from the Golden Gate and Suisun bay on the north to Pt Sur on the coast and a point a short distance south of Soledad in the Salinas valley on the south. Farther inland the south boundary is uncertain, though it was probably near Big Panoche creek. The Costanoan Indians lived mainly on vegetal products, especially acorns and seeds, though they also obtained fish and mussels, and captured deer and smaller game. Their clothing was scant, the men going naked. Their houses were tule or grass huts, their boats balsas or rafts of tules. They made baskets, but no pottery, and appear to have been as primitive as most of the tribes of California. They burned the dead. The Rumsen of Monterey looked upon the eagle, the humming bird, and the coyote as the original Inhabitants of the world, and they venerated the redwood. Their languages were simple and harmonious. Seven missions-San Carlos, Soledad, San Juan Bautista, Santa Cruz, Santa Clara, San Jose, and Dolores (San Francisco)-were established in Costanoan territory by the Franciscans subsequent to 1770, and continued until their confiscation by the Mexican government in 1834, when the Indians were scattered. The surviving individuals of Costanoan blood may number today 25 or 30, most of them "Mexican" in life and manners rather than Indian.

True tribes did not exist in Costanoan territory, the groups mentioned below being small and probably little more than village communities, without political connection or even a name other than that of the locality they inhabited. The following divisions or settlements have been recognized: Ahwaste, Altahmo, Ansaime, Aulintac, Chalone, Costanos, Kalindaruk, Karkin, Mutsun, Olhon, Romonan, Rumsen, Saklan, Thomien, Tulomo, and Wacharon (?).

Handbook of American Indians (1906) ~ Frederick W. Hodge

From Blue Panther Keeper of Stories

http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3

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