Sunday, Jan. 16, 2005
native
american arts daily news, presented by
amerindianarts.us
Luce
Center for American Art: Visible Storage/Study Center
Art Daily - USA
... s renowned
collection of American painting and sculpture, as well as material
from the rich holdings of the Decorative Arts, Native American,
and Prints ...
See all stories on this topic
Virginia
Museum curator, painter go way back
Richmond
Times Dispatch - Richmond,VA,USA
... arts at the
Virginia Museum of Fine Arts and author ... Virginia Museum,
Curry was curator of American art at ... Whistler (1834-1903),
a native of Amherst, Mass., who ...
Walters
acquires rare 'personal' work
Baltimore
Sun (subscription) - Baltimore,MD,USA
... at the Pennsylvania
Academy of Fine Arts in Philadelphia ... Paris studio that
he shared with American sculptor Hermon ... for his vivid
depictions of Native Americans ...
Reinvention
key to healthy Old Town
The Coloradoan
- Fort Collins,CO,USA
... of more residential opportunities
in the area, as well as arts and cultural ... museum that
would have had an IMAX theater and a Native American cultural
center. ...
This once a day Google Alert is brought to you by Google.
Date: Fri, 07 Jan 2005 01:56:00 -0000
Three Saturdays,
Learn about the indigenous cultures of the Northeast through lectures,
performances, and films. Journey through "Native New York" with Evan
T. Pritchard, founder of the Center for Algonquin Culture, and learn
how Broadway used to be the Mohican Trail. Enjoy the Mohawk Singers
and Dancers, and take a look down the "Pow Wow Highway" with actor
Gary Farmer, and much more.
For details,
visit
Date: Thu, 06 Jan 2005 02:21:54 -0000
~LEONARD PELTIER's Magnificent `Political Platform'~
from the brand new book ~HAVE YOU THOUGHT of LEONARD PELTIER LATELY?~
Also please visit Leonard's own website: www.leonardpeltier.org
Please Order copies NOW for yourself & your friends at:
www.haveyouthought.com
or send a check for $23+$5=$28 per copy ($5 s/h on one copy; $2 s/h
each
add'l copy) made out to 'Have You Thought' & mail to:
Date: Sat, 1 Jan 2005 11:57:03 -0700
From Nov. 26, 2004 through Jan. 30, 2005, the Peabody Essex Museum
hosts Our Land: Contemporary Art from the Arctic, the first major
museum exhibition of contemporary art from Canada's newest territory,
Nunavut. The exhibition includes more than 50 artworks-from
sculpture, prints, and textile art to photography, video, and sound
installations-all created in the last half-century, a time of
burgeoning artistic and cultural awareness and pride among Canada's
Inuit. Our Land is a collaborative project of the Peabody Essex
Museum, the Government of Canada, and the Government of Nunavut.
Newspaper coverage
Our Land: Contemporary Art from the Arctic , has received financial
support from the Government of Nunavut's Department of Culture,
Language, Elders and Youth, the Government of Canada, the Constance
Killam Trust, and the Elizabeth Killam Rodgers Trust.
Visit the online exhibition Subject: Tlingit Whale House Series
Date: Mon, 3 Jan 2005 17:02:28 -0700
From: George Lessard
Nine years ago, brilliantly carved Tlingit artifacts linking the
Chilkat people with their ancestors were sold and removed from the
village of Klukwan. Since then, families, neighbors and lawyers have
fought bitterly over ownership. No one sees them now.
By Marilee Enge
Whale House Series
Series At A Glance
Date: Sat, 01 Jan 2005 16:54:45 -0000
DAGGETT - A break-in discovered Christmas Day has robbed the museum in
this Mojave Desert town of its most prized
possessions, including antique dolls and American Indian artifacts on
loan from local families.
The thieves methodically cleared out glass display cases in the
Daggett Museum, said curator Beryl Bell, who discovered the
burglary when she went to feed her goldfish over the holiday.
"It's really heartbreaking for a small museum," Bell said Wednesday.
The stolen Native American artifacts include a basket appraised at
$3,500, a Navajo sash and two large clay Acoma pots that
had never been appraised but are very valuable, said Leslie Lloyd, the
president of the Daggett Historical Society, which
runs the museum.
The thieves also took antique dolls, model trains and other toys,
farming implements and examples of rocks from the area,
Lloyd said.
The thieves ignored the computers and copy machine in the office of a
local government agency that shares the low-slung
modular building with the museum, but they stole $2 in coins from
Lloyd's desk and a museum donation jar that contained
about $10, she said.
Despite the theft of the change, Lloyd believes the burglars were
experienced, as they left no fingerprints and took steps
to disable the alarm system -- even though it wasn't operational at
the time of the break-in.
"This appeared to be a very neat operation and it appeared they had a
shopping list," she said.
The historical society has notified the Antique Tribal Art Dealers
Association, which plans to post news of the break-in on
its Web site and will inform its 250 members.
The historical society is offering a $500 reward to anyone who can
provide information leading to the arrest and conviction.
Hero, Hawk, and Open Hand CHICAGO - A translucent, larger-than-life hand with long, tapering
fingers lends an air of mystery to a new exhibit of ancient and
little-known tribal art at the Art Institute of Chicago.
"Hero, Hawk, and Open Hand" opened Nov. 20 and runs through Jan. 30,
2005. It is scheduled to be shown at The St. Louis Art Museum from
March 4 to May 30, 2005, and at the Smithsonian National Museum of
Natural History from early July to late September.
Navajo artist Teddy Draper Workshops
Workshop information for 2005
March 15-19, instructor Elmer Yazzie, "cut yucca brush" watercolor technique.
May 16-20, instructor Teddy Draper, Jr., pastel techniques, insights into art, culture, and connecting to nature.
June 7-11, Indian Jewelry Basics (class limited to 4 students).
June 7-11, instructor Teddy Draper, Jr., pastel techniques, insights into art, culture, and connecting to nature.
Web Sites: Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000) Essay on the Zuni World View
Cushing also cited an
incidence where he showed a pole that accompanies a theodolite to an old Zuni
man and asked him what he thought the name of it was. In response the old man inquired as to the
use
of the
item. After briefly describing the
implementation of the device the old man provided a rather lengthy
sentence-word that Cushing translated as "heights of the world progressively
measuring stick". The next day Cushing
took the pole to the extreme corner of the pueblo and began "to flourish it
around" until a middle-aged man relented to curiosity and asked what it
was. Cushing then provided the Zuni
name he had learned the day before and the man promptly requested, "Can they
actually tell how far up and down journeying the world is?"
[105].
Indian band seeks to regain its birthright
Wintu Indians Corn Maiden and Lucky Hunter - Cherokee
When Wtsiielohino had been populated for some time, all the animals became restless. The different councils of animals pondered the situation. The Deer Tribe came to the conclusion that there was something missing from creations, so they called on the Creator and asked her to complete the circle, and she agreed to what they had asked of her.
One day while the Deer Tribe was patrolling their land, they came across a creature they had never seen before. He stood on his hind legs and had long hair growing from his head. He was the First Man, or Lucky Hunter. The deer hid in order to watch his actions.
When the First Man was put on Mother Earth, he was instructed on how to live by the Creator. She taught him how to use all the parts of the deer in order to eat, make clothing, and fasten his bow with extracted sinew. She told him to always offer tobacco so the spirit of his deer cousins would remain happy. The Creator also showed him how to build a shelter where he could stay safe and warm. He then was left to go out on his own.
Days, weeks and months passed with the Deer Tribe watching the Lucky Hunter intently. They became confused by the way he carried himself. He walked around aimlessly. Even worse, he shot too many deer with his bow and arrows until their population became very scarce. He also forgot to leave tobacco when hunting. He slept every night out on the cold or muddy earth. He never attempted to build a shelter as the Creator had instructed him to do. His walk was clumsy and awkward and he constantly muttered to himself.
He was not leading a balanced life; he truly was a fool. The Deer Tribe, sensing the problem this new being was causing, called upon the Creator to correct this unfortunate situation.
Things remained the same until one afternoon when the Lucky Hunter laid down on his back for an afternoon snooze. As he lay there resting in the warm sun, a giant selu (corn) stalk grew out of his heart extending high into the sky. The stalk grew higher and higher. As the Lucky Hunter pondered what had happened, he noticed a beautiful woman appearing from the top of the stalk. She was the First Woman or Corn Maiden. The Lucky Hunter reached high into the sky and helped her down from the top of this fine creation. He instantly fell in love, and she told the First Man that they would now go to build their home.
Before leaving, the First Woman took two pieces of corn, so that she would always remember where she came from. When she found a place where they would build their home, she planted the corn. They began working on their home. Soon it was completed and they seemed very content. For two years they watched the corn come and go. How they loved to watch the beautiful corn. Looking out the window one morning, the Corn Maiden and the Lucky Hunter spotted Gana (the Sacred Turkey) nibbling on the selu. They had never known that corn was meant to be eaten.
Their diet became complete once the couple started to eat the corn. The Deer Tribe increased in numbers as the First Woman taught the First Man how to live a true life. He began to give thanks and walk in a steady way. You see, the woman is the most important of creation, she brought balance to the world.
Years went by and life remained peaceful for them. Suddenly, one afternoon as the Lucky Hunter was chopping wood in the yard, Corn Maiden became very angry. She dashed from the house and ran towards the mountains. The First Man, in a state of confusion, chased after her, but to no avail. She ran much faster than him. For every mountain he crossed, she would cross three. Finally realizing that he would never catch her, he fell to his knees and asked the Creator to help him. The Creator promised him that she would try her best.
The Corn Maiden ran and ran. Thorn buses started to appear on her path, but she continued to run without noticing the pain they caused. Other bushes sprung onto the path of many beautiful colors and fragrant smells. Gooseberries, blue- berries, and huckleberries. The First Woman paid them no attention. As she ran she simply crushed them under her feet.
Then bushes filled with heart shaped berries appeared on the path. The smell and sight of these berries caused her to stop. She decided that she would pick some of the berries.
As she gathered, the Lucky Hunter continued running until he caught up to her. As she noticed him coming, a smile came over her face. She had tested his love and respect.
They gathered berries together. When they started to return home, he took two of the strawberry plants to remind him of what had saved his life. After reaching their home, he planted the two strawberry plants next to the two stalks of selu. The world continued in balance.
And this is what I was told. Cedric Sunray.
Submitted by Wolf Walker.
From Blue Panther Keeper of Stories
http://groups.msn.com/KeeperofStories
From: "ghwelker"
Subject: Living in America: The American Indian Experience
The American Museum of Natural History
presents
Living in America: The American Indian Experience
January 15, 22 and 29
1:00-5:30 p.m.
Kaufmann Theater, first floor
or
call 212-769-5315.
From: borreror@amnh.org
From: "ghwelker"
Subject: ~LEONARD PELTIER’s Magnificent ‘Political Platform’
Have You Thought
1410 Blalock Road, #420
Houston, TX 77055
From: George Lessard
Subject: Our Land - Contemporary Art from the Arctic
Our Land - Contemporary Art from the Arctic
THROUGH JANUARY 30, 2005
Peabody Essex Museum [excerpt]
GEORGE LESSARD
Information & Media Specialist
Part 1 : The sale of the Whale House legacy.
Part 2 : Carving the masterworks.
Modern-day carvers and anthropologists follow the trail of a Tlingit
artist of profound skill and vision
Part 3 : A Tlingit buyer of Tlingit artifacts.
Tlingit nobleman Louis Shotridge, so of a keeper of the Whale House,
becomes a scholar of his people - and a controversial collector
Part 4 :A dealer's passion for the Whale House.
A Seattle art dealer's decade of obsession ends in bitterness and in
court.
Part 5 :Epic sage becomes litigation.
A tangle of bloodlines and birthrights is now a court's to unravel.
From: "ghwelker"
Subject: Museum loses Indian artifacts to burglary
Museum loses Indian artifacts to burglary
ASSOCIATED PRESS
Glenn Welker
Editor, List Manager, and Web Master
for
Indigenous Peoples Literature
Early tribal artifacts put in spotlight
Little-known items focus of exhibit in Chicago
Chinle, Arizona (Canyon DeChelly)-
Seminars and workshops have limited capacity and usually require enrollment months in advance.
dechelly2000@yahoo.com
Indigenous Peoples Literature
Wisdom of the Old People
HTML Format (70K)
PDF Format(117K)
Excerpt (Complete article is available in PDF)
By David Whitney
At War Against Dam, Tribe Turns to Old Ways
Petition in Support of the Winnemem Wintu Tribe
http://www.smartgroups.com/groups/keeper_of_stories_3
posted by Amerindian Arts at 1:03 PM
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