Monday, March 07, 2005

Monday, March 7, 2005

native american arts daily news, presented by
amerindianarts.us

Crafters go full force with hobby during National Craft Month
Tahlequah Daily Press - Tahlequah,OK,USA
... For those interested in Native American arts and crafts, The Cherokee Heritage Center offers a series of traditional art classes, and just completed a ...

Passing Up The Party: MCLA's Alternative Spring Break
iBerkshires.com - North Adams,MA,USA
... On March 5, participating students hosted an MCLA Arts and Crafts Tag Sale Extravaganza at the Venable Hall gymnasium. ... "I'm part Native American and I've ...

Celebrating Innovative Women of Theater: Elizabeth Swados
Broadway World - Monsey,NY,USA
... she says, "because I had a horrible childhood, and the arts saved me ... really in love with world music: African, South Indian, Native American, Balinese… It ...

SAMBA presents Brazilian Carnaval
The Massachusets Daily Collegian - MA,USA
... The Office of African Latino Asian Native American Affairs (ALANA), the Arts Council, the Multicultural Student Services, Middlesex Family Practice, Student ...

 This once a day Google Alert is brought to you by Google.


From: George Lessard -media@web.net
Subject: 2004 Nunavut Literary Prize winning stories published

Date: Tue, 1 Mar 2005 15:23:17 -0700 (MST) From: Government of Nunavut Press Release Subject: 2004 Nunavut Literary Prize winning stories published

IQALUIT, Nunavut (March 1, 2005) ñ Honourable Louis Tapardjuk, Minister of Culture, Language, Elders and Youth is pleased to release Taimanit: Short stories written about life on the land. The book features the two winning entries from the 2004 Nunavut Literary Prize. The publication was a joint effort between the Department and the Nunavut Literacy Council.

"Taimanit is an important step towards creating new and exciting literature in Inuktitut," said Minister Tapardjuk. "The Nunavut Literary Prize is a great initiative, and I am very hopeful that this publication will lead to the growth of Inuit literature."

The Department launched the Nunavut Literary Prize to encourage the writing and publishing of new Inuit literature. A $6,000 first prize and a $4,000 second prize are awarded each year for the best stories.

Morty Alooloo was the first prize winner in the 2004 Nunavut Literary Prize. She wrote about the changing way of Inuit life and the importance of traditional advice to strengthen the culture. Paul Issakiark received the second prize for his story about a father going out on the land with his son and teaching him traditional hunting knowledge. The book features a forward by the Commissioner of Nunavut, Peter Irniq and illustrations by Andrea Noveya Duffy of Rankin Inlet.

"There is very little published reading material that is written by Inuit for adult readers of Inuktitut. Stories in print are necessary for the development of strong reading and writing skills. They play an important role in the preservation of language and culture," said Kim Crockatt, Executive Director of the Nunavut Literacy Council. "The publishing of Taimanit is a great addition to writing by Inuit. Continuous efforts need to be made to support the writing and publication of literature, stories and poetry by Inuit authors in Inuktitut and Inuinnaqtun."

Judging of the 2005 Nunavut Literary Prize is currently underway. Over the coming months, Nunavummiut will be asked to pick the winners from three finalists. The top three stories will appear in the northern newspapers and readers will be asked to decide the $6,000 first prize and $4,000 second prize recipients.

For more information, contact:

Penny Rumbolt
Communications Manager
Department of Culture, Language, Elders and Youth
E-mail: prumbolt@gov.nu.ca
Phone: (867) 975.5531

Kim Crockatt
Nunavut Literacy Council
E-mail: kimcr@polarnet.ca
Phone: 867-983-2678


From: "ghwelker"
Navajo Filmmaker Shonie de la Rosa

Navajo Filmmaker Shonie de la Rosa Sheephead Films Presents: "G" Methamphetamine on the Navajo Nation Best Public Service Award at the 29th Annual American Indian Film Festival

Methamphetamine has reached epidemic status on the Navajo Nation within the past two years. Up close and personal interviews with Navajo methamphetamine addicts and recovering addicts allow the viewer to see and hear the painful stories these people have to tell about their addiction to the drug. Additional interviews with Tuba City Senior Criminal Investigator Greg Adair, Indian Health Service Doctor Thomas J. Drewhard, and Navajo Nation Vice President Frank Dayish, Jr., bring a more in-depth view of how methamphetamine is affecting the communities, families, and people of the Navajo Nation.

The film "G" Methamphetamine on the Navajo Nation is available for download at http://www.sheepheadfilms.com

The film was directed by award winning Navajo film makers, Shonie and Andee De La Rosa from the Navajo Nation in Kayenta, Arizona.


From: "ghwelker"
Subject: Navajo Nation President rejects Indian label, declares ˜I am Dine"?

Contact: George Hardeen, Communications Director
Office 928-871-7917
Navajo Nation President Joe Shirley, Jr., rejects Indian label, declares ˜I am Dine"?

President calls the term ˜Indian' a misnomer from the past

WINDOW ROCK, Ariz. - Navajo Nation President Joe Shirley, Jr., told conference participants in Phoenix last week that he is not an Indian and has never been one.

I don't consider myself an Indian, the President told about 100 participants attending the National Urban Indian Family Coalition summit at the Heard Museum Feb. 3. I don't believe I've ever been an Indian.

The President said his sentiments were personal but that he would like to see Native people nationwide adjust their perception of themselves and identify more closely with their own tribal affiliation or clan rather than an inaccurate, historical label.

It's a personal thing, of course, President Shirley told the group. I've never considered myself an Indian. I try to talk to my young ones back home and tell them the truth of the matter is that we are not Indians. As far as we're concerned, we're Dine' people, Navajo people.

The President said it was a disoriented foreigner to North America who labeled the first native people he came upon as Indians because that is whom he was seeking.

He got lost or his telescope didn't work or he lost his map, the President said, referring to Christopher Columbus. And the first natives that he saw he thought were Indians.

But this is where Dine' people lived, the five-fingered, intelligent Earth-dwelling Dine' people, President Shirley continued. We weren't calling ourselves Indians. We never have.

The President also said he rejected the term reservation for Native lands because it denotes something akin to a wildlife preserve rather than a people's homeland. While the historical record indicates that Indian reservations are land that Native people reserved for their exclusive use, in most instances they were given little choice by the Federal government, the President said.

When the foreigner came across, he saw us in our breechcloths and our moccasins and said, ˜These people are savages, barbaric, uncivilized, lower than the four-legged beasts,' President Shirley said. ˜So let's drive them off this land here and have all this timber and all this water. There's probably gold, silver ore and uranium. Let's give them this piece of ground over there in the desert because they're wildlife.'

But President Shirley said the people ultimately prevailed, despite historical atrocities, and this is what Dine' and other Native children should be told today.

I don't want to refer to myself as wildlife or as an Indian because those are not truths, the President said. They tried to drive us off of our land back then and they weren't successful. The land that Navajo people lived on has always been Dine' land, it's always been Navajoland. We were put there by the deities, and we're still there today.

The President said the closest he can get to using the foreigner's language to describe himself is as a Native person or Native American.

One of the things we need to do is make appearances before state governments, county governments, Congress, and, in my own way, go about re-educating some of my people, especially my young, relative to being a Native person.

From: NativeVillage500@aol.com


From: "ghwelker"
Subject: Information about the Choctaw/Muskogean tribe

Dear Friendsr,

I am looking for any historic information concerning an eighteenth century beaded sash of the Choctaw/Muskogean tribe. The sash is thought to be a possession of the Chief, Priest, or Medicine-man of the tribe. The sash is worn about the neck and shoulders, is about three to five feet in length, and is adorned with an articulated beaded symbol akin to the formal shape of a violin instrument sound hole. The formality of the symbol em-beaded on the sash is viewed as expressing connective "branches" with reciprocating volutes or scrolling articulated at opposite ends of the symbol - similar to the violin hole articulation. The "branches" of the sash symbol, however, are defined in a linear (straight) fashion, as in the straightness of a ruler's edge.

The violin articulation appears in the fourteenth century Europe, and is traceable to earlier eastern periods. The pre-American Mayan/Aztec cultures exhibit similar traits of articulation, and could have easily been conveyed through ancient migration.

I would be most interested in knowing if the Choctaw sash symbolism is a pre-American cultural origination, or expressing of a later European influence.

Can you reflect or direct me with regards to the sash example, or symbolism articulated thereon?

Sincerely,

Edward Pascoe; AAS

109 Union Ave SE - Renton, WA 98059
(425) 226-3184
edpascoe@msn.com


From: "ghwelker"
Subject: Training at Museum of Civilization

Training at Museum of Civilization

CALL FOR APPLICATIONS

Canadian Museum of Civilization Aboriginal Training Programme in Museum Practices

DEADLINE MARCH 15, 2005

Gatineau, Quebec, February 14, 2005 - The Canadian Museum of Civilization is now accepting applications for its Aboriginal Training Programme in Museum Practices (ATPMP). This eight-month programme offers vocational and technical training in museum practices to Aboriginal workers and students from across Canada. The deadline for applications is March 15, 2005.

All training is under the supervision of the Museum's professional staff in a variety of fields, including conservation, archaeology, documentation of artifacts, archives, collections, ethnology, history and administration. In return, the interns share their knowledge with Museum personnel and play an important role in maintaining communication between their communities and the CMCC. Training is available in both official languages. This is the twelfth consecutive year for the Aboriginal Training Programme in Museum Practices. The Canadian Museum of Civilization Corporation (CMCC) established the ATPMP in September 1993 in response to recommendations contained in the 1992 Task Force Report on Museums and First Peoples.

Since its inception, the CMCC Training Programme has enabled 60 Aboriginal trainees to further upgrade their knowledge of museum practices, including the current group. To learn more about the programme, please contact Jolene Saulis at (819) 776-8270; by e-mail jolene.saulis@civilization.ca ; or consult the Web at

http://www.civilization.ca/cmc/at/attoceng.html

Media Information: Chief, Media Relations Canadian Museum of Civilization

Tel.: (819) 776-7167

Media Relations Officer Canadian Museum of Civilization

Tel.: (819) 776-7169

Fax: (819) 776-7187


From: "ghwelker"
Subject: House Bill 179 relating to artifacts recovered from Native American burial sites

Dear Members of the Native American Community:

Please be advised that House Bill 179 relating to artifacts recovered from Native American burial sites, has been assigned to the House Committee on Culture, Recreation, and Tourism. Write or fax your letter of support and request the scheduling for public hearings to the following House Representative;

House Representative Harvey Hilderbran

Chairman, House Committee on Culture, Recreation, and Tourism

P.O. Box 2910

Austin, Texas 78768

PHONE: (512) 463-0536

FAX: (512) 463-1449

Thank you for your coiuntinued support and help in this matter. You can also contact the governors office at the following

Office of the Governor

P.O. Box 12428

Austin, Texas 78711-2428

http://www.governor.state.tx.us/contact/contact_email.htm

TOLL FREE: 1 (800) 252-9600

FAX: (512) 463-1849

This is open to all; ask everyone you know, including your friends, community leaders, community organizations, school, newspaper, radio, political groups, church, or any other Native American groups. Again, the Native American community awaits for the best of our intentions.

Peace,

Daniel Castro Romero, Jr., M.A., M. S. W.

General Council Chairman

Lipan Apache Band of Texas, Inc.

H.B. No. 179

A BILL TO BE ENTITLED AN ACT relating to artifacts recovered from Native American burial sites. BE IT ENACTED BY THE LEGISLATURE OF THE STATE OF TEXAS: SECTION 1. Subchapter D, Chapter 191, Natural Resources Code, is amended by adding Section 191.099 to read as follows: Sec. 191.099. CATALOGUE OF ARTIFACTS FROM BURIAL SITES; RULES. (a) The committee shall catalogue any artifacts and related cultural items recovered from prehistoric and historical American Indian or aboriginal burial sites in this state. (b) The committee may adopt rules to implement this section.

SECTION 2. Not later than March 1, 2006, the Texas Historical Commission shall develop a system necessary to catalogue artifacts and related cultural items under Section 191.099, Natural Resources Code, as added by this Act. SECTION 3. This Act takes effect immediately if it receives a vote of two-thirds of all the members elected to each house, as provided by Section 39, Article III, Texas Constitution. If this Act does not receive the vote necessary for immediate effect, this Act takes


From: "ghwelker" Subject: 28th Annual California Conference on American Indian Education

CALL FOR STUDENT WRITING

The 28th Annual California Conference on American Indian Education is approaching quickly and, once again, we wish to showcase the writings of American Indian students from our state in a small booklet (chapbook) available to each participant who attends the conference. We are requesting poetry, short stories, and photography from all K-12 American Indian youths who reside in California. This is the fourth year we have requested photographs. If possible we would prefer black and white photographs but will accept color. All submissions should address the conference theme "Educating Tomorrows Leaders." Photographs and writings that demonstrate the power of intergenerational education, whether formal or cultural, are especially welcome. Please inform your youths about this opportunity to have their work published and encourage them to submit their writings to:

American Indian Education Program
1919 B Street,
Marysville, CA 95901
Phone: (530) 749-6196 Fax: (530) 741-7840
email: jgraham@mjusd.k12.ca.us

Copyright will remain with the authors. Works submitted for publication will not be returned, so please send copies only. Each youth who is published will receive two free chapbooks from the Conference Planning Committee. All works should be submitted for review by Monday, March 7, 2005. Along with each submission, please include the following information:
Student Name Tribal Affiliation
Age of Student
Phone Number
Address Sponsoring organization (i.e., Title IX, IEC, or school)

We are looking forward to publishing the writings and photographs of our California Native American youths. If you have any questions, please contact James Graham at (530)749-6196.

Thank you,
The 28th Annual California Conference on American Indian Education


Subject: Sundance Institute's commitment to supporting Native Cinema

From: George Lessard

The Sundance Institute's commitment to supporting Native Cinema is woven throughout the 23-year history of the Institute along with its support for the artistic vitality of American Cinema. Rooted in the recognition of a rich tradition of story telling and artistic expression by Native Peoples, the Institute established a Native Program as a means of supporting the development of Native filmmakers and the exhibition of their work. The Sundance Institute has supported nearly 45 Native writers and directors over the past 23 years, and showcased nearly 100 films by Native filmmakers. The Sundance Film Festival's Native Forum is a gathering of Indigenous filmmakers from around the world, and offers opportunities for them to share their expertise and knowledge with each other and the independent film community through workshops, panels, networking events, and special screenings.
http://festival.sundance.org/2005/?=native&107


Hero, Hawk, and Open Hand
Early tribal artifacts put in spotlight
Little-known items focus of exhibit in Chicago

CHICAGO - A translucent, larger-than-life hand with long, tapering fingers lends an air of mystery to a new exhibit of ancient and little-known tribal art at the Art Institute of Chicago.

"Hero, Hawk, and Open Hand" is scheduled to be shown at The St. Louis Art Museum from March 4 to May 30, 2005, and at the Smithsonian National Museum of Natural History from early July to late September.


Navajo artist Teddy Draper Workshops
Chinle, Arizona (Canyon DeChelly)- Seminars and workshops have limited capacity and usually require enrollment months in advance.

Workshop information for 2005

March 15-19, instructor Elmer Yazzie, "cut yucca brush" watercolor technique.

May 16-20, instructor Teddy Draper, Jr., pastel techniques, insights into art, culture, and connecting to nature.

June 7-11, Indian Jewelry Basics (class limited to 4 students).

June 7-11, instructor Teddy Draper, Jr., pastel techniques, insights into art, culture, and connecting to nature.

Contact Teddy Draper at
dechelly2000@yahoo.com

Web Sites:
Native American Links Page
Indigenous Peoples Literature
Wisdom of the Old People
Native American Summer Camp Info
Native Village(117K)

Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.

Essay on the Zuni World View
Excerpt
(Complete article is available in PDF)

Cushing also cited an incidence where he showed a pole that accompanies a theodolite to an old Zuni man and asked him what he thought the name of it was. In response the old man inquired as to the use of the item. After briefly describing the implementation of the device the old man provided a rather lengthy sentence-word that Cushing translated as "heights of the world progressively measuring stick". The next day Cushing took the pole to the extreme corner of the pueblo and began "to flourish it around" until a middle-aged man relented to curiosity and asked what it was. Cushing then provided the Zuni name he had learned the day before and the man promptly requested, "Can they actually tell how far up and down journeying the world is?" [105].

Indian band seeks to regain its birthright
By David Whitney

Wintu Indians
At War Against Dam, Tribe Turns to Old Ways
Petition in Support of the Winnemem Wintu Tribe

NATIVE VILLAGE
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Coyote and Monster - Nez Perce

Coyote [itsaya' ya] was building a fish-ladder by tearing down the waterfall at Celilo, so that salmon could go upstream for the people to catch. He was busily engaged at this when someone shouted to him, "Why are you bothering with that? All the people are gone; the Monster [itswa' wltsix] has them." "Well," said Coyote to himself, "then I'll stop doing this, because I was doing it for the people, and now I'll go along too." From there he went along upstream, by the way of the Salmon River country. Going along he stepped on the leg of a Meadowlark [qotsqo' tsna] and broke it. The Meadowlark shouted in a temper, "Lima, Lima, Lima [distress call of the bird]; what a chance of Finding the people you have, going along! Coyote then asked, "My aunt, please inform me. Afterwards I will make a leg of brushwood for you." So the Meadowlark told him, "Already all the people have been swallowed by the Monster." Coyote then replied, "That is where I, too, must go." From there he traveled on. Along the way he took a good bath, saying to himself, "Lest I make myself repulsive to his taste;" and then he dressed himself all up, "Lest he will vomit me up or spit me out." Next he tied himself with rope to three mountains. From there he came along up and over ridges. Suddenly behold, he saw a great head. He quickly hid himself in the grass and gazed at it. Never before in his life had he seen anything like it; never such a large thing -- away off somewhere melting into the horizon was its gigantic body. Now then, Coyote shouted to him, "Oh Monster, we are going to inhale each other!" The big eyes of the Monster roved around, looking all over for Coyote, but did not find him, because Coyote's body was painted with clay to achieve a perfect protective coloring in the grass. Coyote had on his back a pack consisting of five stone knives, some pure pitch, and a flint fire making ext. Presently, Coyote shook the grass to and fro and shouted again, "Monster, we are going to inhale each other!" Suddenly, the Monster saw the swaying grass and replied, "Oh, you Coyote, you swallow me first then; you inhale first." Now Coyote tried. Powerfully and noisily he drew in his breath, and the great Monster just swayed and quivered. Then Coyote said, "Now you inhale me, for already you have swallowed all the people; so swallow me too lest I become lonely." Now the Monster inhaled like a mighty wind. He carried Coyote along just like that. But as Coyote went, he left along the way great numbers of camas roots and serviceberry bushes, saying, "Here the people will find them and will be glad, for only a short time away is the coming of the human race." There he almost go caught on one of the ropes, but he quickly cut it with his knife. Thus he dashed right into the Monster's mouth. From there he walked along down the throat of the Monster. Along the way he saw bones scatter about, and he thought to himself, "It is obvious that many people have been dying." As he went along he saw some boys, and he said to them, "Where is his heart? Come along and show me!" Then, as they were all going along, Bear [Xa' xats] rushed out furiously at him. "So! Coyote said to him, "You make yourself ferocious only to me," and he kicked the bear on the nose. As they were going along Rattlesnake [waxpu' sna] bristled at him in fury. "So! Only towards me are you vicious - we are nothing but dung." Then he kicked the rattlesnake on the head and flattened it out for him. Going on he met the Brown Bear [ya' ka' na] who greeted him, "I see he [the Monster] selected you for the last." "So! I'd like to see you save your people [derogatory diatribe]." But, all along the people hailed him and stopped him. He told the boys, "Pick up some wood." Here his erstwhile friend, Fox [tili' ptsxi'], hailed him from the side. "Such a dangerous fellow [the Monster]! What are you going to do to him?" "So!" replied Coyote. "You too hurry along and look for wood." Presently Coyote arrived at the heart, and he cut off slabs of fat and threw them to the people. "Imagine you being hungry under such circumstances -- grease your mouths with this." And now Coyote started a fire with his flint, and shortly smoke drifted up through the Monster's nose, ears, eyes, and anus. Now the Monster said, "Oh, you Coyote, let me cast you out." And Coyote replied, "Yes, and later let it be said, -He who was cast out is officiating in the distribution of salmon. "Well then, go out through the nose." Coyote replied, "And will not they say the same?" And the Monster said, "Well then, go out through the ears." To this Coyote replied, "And let it be said, 'Here is ear-wax officiating in the I distribution of food.' " "Hn, hn, hn, oh you Coyote! This is why I feared you; then go out through the anus." Coyote replied, "And let people say, -Feces are officiating in the distribution of food. ' " There was his fire still burning near the heart, and now the Monster began to writhe in pain. Coyote began cutting away on the heart, whereupon very shortly he broke the stone knife. Immediately he took another, and in a short time this one also broke and Coyote said ; to all the people, "Gather up all the bones and carry them to the eyes, ears, mouth and anus; pile them up, and when he falls dead kick all the bones outside." Then again with another knife he began cutting away at the heart. The third knife he broke and the fourth leaving only one more. He told the people, "All right, get yourselves ready because as soon as he falls dead each one will go out of the opening most convenient. Take the old women and old men close to the openings so that they may get out easily." Now the heart hung by only a very small piece of muscle, and Coyote was cutting away on it with his last stone knife. The Monster's heart was still barely hanging when his last knife broke, whereupon Coyote threw himself on the heart and hung on just barely tearing it loose with his hands. In his death convulsions the Monster opened all the openings of his body, and now the people kicked the bones outside and went on out. Coyote, too, went on out. Now the Monster fell dead, and now the anus began to close. But there was Muskrat [pa ptits] still inside. Just as the anus closed he squeezed out, barely getting his body through. But alas! His tail was caught. He pulled, and it was bare when he pulled it out; all the tail-hair had been peeled right off. Coyote scolded him, "Now what were you doing? You had to think up something to do at the last moment. You're always behind in everything." Then he told the people, "Gather up all the bones and arrange them well." They did this whereupon Coyote added, "Now we are going to carve the Monster." Coyote then smeared blood on his hands, sprinkled this blood on the bones, and suddenly there came to life again all those who had died while inside the Monster. They carved the great Monster, and now Coyote began dealing out portions of the body to various parts of the country all over the land-toward the sunrise, toward the sunset, toward the warmth, toward the cold-and by that act destining and fore naming the various peoples: Coeur d'Alene, Cayuse, Pend Oreilles, Flathead, Blackfeet, Crow, Sioux, et al. He consumed the entire body of the Monster in this distribution to various lands far and wide. Nothing more remained of the great Monster. And now Fox came up and said to Coyote, "What is the meaning of this, Coyote? You have distributed all of the body to far-away lands but have given yourself nothing for this immediate locality." "Well," snorted Coyote, "and did you tell me that before? Why didn't you tell me that awhile ago before it was too late? I was engrossed to the exclusion of thinking. You should have told me that in the first place." And he turned to the people and said, "Bring me some water with which to wash my hands." They brought him water, and he washed his hands. And with the bloody wash water he sprinkled the local regions saying, "You may be little people, but you will be powerful. Even though you will be little people because I have deprived you, nevertheless you will be very, very manly. Only a short time away is the coming of the human race."

Taken from Tales of the Nez Perce by Donald M. Hines, Ye Galleon Press; Fairfield, Washington, 1999 [gathered from other source books dated between 1912 and 1949]

From Blue Panther Keeper of Stories

http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3

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