10th Annual Native Roots and Rhythms

native american arts daily news, presented by
amerindianarts.us

Native American Denied Posthumous Diploma
Harvard Crimson - Cambridge,MA,USA
... and studying in Harvard's Indian College, where all Native American students lived ... or 2005--when, after months of research, the Faculty of Arts and Sciences ...

Redefining Native
Norwich Bulletin - Norwich,CT,USA
... It will be the first Native American arts show exclusively developed by the museum, although they have hosted other shows in the past. ...

How the west was spun
Guardian Unlimited - UK
... De Cora was far ahead of her time, a Native American and a woman. ... Meriam, convinced the federal government that there could be economic value in Indian arts. ...

Comedy is a day's work
Indian Country Today - Canastota,NY,USA
... Its productions include the 10th Annual Native Roots and Rhythms, a two-day American Indian performing arts festival that is held at the Santa Fe Indian ...

Qitsualik: Inuit shamanism and the code of silence

This once a day Google Alert is brought to you by Google.

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ILLINOIS

Contemporary Indian Art Show, Collinsville, July 9-10. Paintings, sculptures, silverwork, ceramics, paper art, and pen and ink drawings by more than 30 Native-American artists from across the nation are featured at the Cahokia Mounds State Historic Site. 618-346-5160

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Native American Flute 5–7 pm, Featherstone Center for the Arts, Barnes Rd., Oak Bluffs, MA. Ronn Speed teaches beginners, weekly through July 27. $120. Preregister. 508-693-1850.

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Art entries needed for New Mexico State Fair

Native American art will be accepted at the Native American Art Gallery on Wednesday through Friday, Aug. 17-19, from 9 a.m. to 5 p.m. and on Saturday, Aug. 20, from 8 a.m. to 5 p.m. Dealers may pre-register between Tuesday and Friday, Aug. 9-12. Exhibits must have been produced by Native American Indians of federally regulated tribes.

For more information, go online at www.exponm.com, call Vigil-Eastwood at (505) 265-1791, extension 454 or e-mail her at ramonave@swcp.com.

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BROWNING, Montana — Just like modern-day soldiers, early Plains Indians were adept at armoring their bodies for battle. Long before Kevlar vests, Blackfeet fighters repelled stone-tipped arrows with "war shirts" laced with a protective — and often richly decorative — weave of porcupine quills. Modern-day connoisseurs of military garb and lovers of authentic Native American artistry normally look to museums for a peek at these precursors to the bulletproof vest. Finding one for sale has always been trickier — until now. An authentic war shirt made by a modern Native artist is among the thousands of traditional and contemporary Indian art pieces for sale at the new Blackfeet Heritage Center and Art Gallery in Browning. The center is located on Highway 2, a convenient stop for the estimated 2 million visitors who enter Glacier National Park each year via the Blackfeet Reservation. And it's across the street from the Museum of the Plains Indian, a well-established venue for Blackfeet artifacts and art, and the North American Indian Days powwow grounds. The July 7-10 powwow, one of the largest in the region, is an intriguing way to observe authentic Blackfeet traditions.

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Lowell Area Arts Council, 149 S. Hudson St., Lowell, MI -- "Heart of a Drum" runs through July 23. Exhibit features art and writings created by Native Americans of the Great Lakes region. Gallery hours are noon-5 p.m. Tuesday-Friday, 1-4 p.m. Saturday.

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Ohio University Gallery, Athens -- Kennedy Museum of Art, Lin Hall at the Ridges: "The Bragro Experience: Seating with Honour to Motherhood"; "Weaving Is Life," Navajo textiles from the Edwin L. and Ruth E. Kennedy Southwest Native American collection; 740-593-1304.

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Pacific Grove Museum of Natural History, 165 Forest Ave., Pacific Grove. Impressive exhibits include Native American artifacts, the Monarch butterfly, mammals, birds, reptiles, geology and a native plant garden. 648-5716.

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National Museum of the American Indian
National Powwow
Actual Location MCI Center, 601 F Street NW, Washington D.C. 20004
Event Dates August 12, 13, 14, 2005
*Vendor applications will be ready for distribution within the next couple of weeks. We will allow ample time, approx. 2 months for vendors to apply. Justin Giles will be the point of contact for vendors and he is currently taking names and info and will send application forms when ready.
*General Contact*
Number 877-830-3224 or 301-238-3023
nmainationalpowwow@si.edu
www.americanindian.si.edu
(webpage in development-email announcement to staff when complete)

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Artists re-imagine native styles

"Fusing Traditions: Transformations in Glass by Native American Artists," on display at the Rockwell Museum of Western Art in Corning, exhibition introduces the first generation of Native American studio glass artists to re-imagine their cultural art forms: beadwork, pottery, masks, spindlewhorls, dance wands and hats.

Eighteen artists fused cultural heritage and individual creativity into dazzling new glass forms for this traveling exhibition featuring 37 artworks. The show was organized by the Museum of Craft & Folk Art in San Francisco.

The museum is on the corner of Denison Parkway and Cedar Street in Corning. Summer hours: 9 a.m.-8 p.m. daily. Details: www.rockwellmuseum.org.

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"HOME: Native People in the Southwest" at the Heard Museum: The Heard ends a yearlong celebration of its 75th anniversary by opening a huge new gallery that houses a larger and improved exhibition of Southwestern Native American art. The new exhibition organizes 2,000 objects by tribe instead of type, includes maps of each tribe's ancestral and modern lands, information about their history, and excerpts of interviews with living members of the tribe. The result is that "HOME" feels less like a showcase of treasures amassed on the cheap by rich white people and more like an explanation of the still-living cultures that produced them. Through 2020. Heard Museum, 2301 N. Central Ave., Phoenix, 602-252-8848.

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High Desert Museum (Bend): 59800 S. Highway 97 (541-382-4754). The museum features detailed indoor exhibit areas that include "By Hand Through Memory," a permanent exhibit of Native American artistry by Doris Swayze Bounds; visual-arts displays; and walk-through dioramas on the history of the American West. Outdoor areas feature a walk-through pioneer homestead and a historic working sawmill. The viewing area for a river otter features both inside and outside vistas. Meet a porcupine or learn more about the region's birds and their feeding habits. Hours: 9 a.m.-5 p.m. daily except major holidays; $7-$12 (good for two days); www.highdesertmuseum.org.

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ROYAL OAK, Mich., June 6 /PRNewswire/ -- Come and celebrate the Detroit Zoo's Native American Festival on October 8-9. This cultural event is part of the Summer Festivals at the Detroit Zoo ... Like Nowhere Else presented by Pizza Hut.

The Summer Festivals continue on select days through October 9, 2005 and each one celebrates different ethnic groups on weekends. One ethnic group per month will be featured with a weekend of fun cultural activities. Each weekend will include entertainment, authentic style food, arts and crafts and a cultural community resource area.

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Turtle Island A new puppet
show based on Native American legends. Presented every Saturday in May at PuppetART, Detroit. Tickets: $5/children, $7/adults. 313-961-7777. www.puppetart.org.

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Artrain USA kicks off Michigan tour

ANN ARBOR Ð Artrain USA has announced a nine-city Michigan State Tour that kicked off May 14 in Petoskey. The Michigan Tour will take the exhibition "Native Views: Influences of Modern Culture" throughout Artrain USA's founding state.

Michigan Tour dates are Harrisville, Oct. 1 to 4; Standish, Oct. 7 to 10; West Branch, Oct. 13 to 16; Owosso, Oct. 20 to 23; and Grand Haven, Oct. 29 to Nov. 1.

"We are thrilled to be sharing our 'Native Views' exhibition in our home state. Touring in Michigan is always a highlight along our national tour route. It is a chance to return to our roots and strengthen our legacy. This tour is a salute the arts in Michigan and the 'Native Views' exhibition is a celebration of the outstanding contributions Native American artists make in our society," said Debra Polich, president and CEO of Artrain USA.

Native Views is a contemporary Native American art exhibition comprised of 71 artworks by 54 Native American artists. It explores the influence of popular culture and the many commonalties shared by all Americans.

Artrain USA is "America's Hometown Art Museum." A nonprofit organization, Artrain is an art museum housed in vintage rail cars that travels via the nation's railroads. More than 3 million people have visited Artrain USA during 780 community visits across 45 states. Founded in Michigan in 1971 by the Michigan Council for the Arts, Artrain USA's national headquarters is in Ann Arbor.

For more information please call 800-ART-1971 or www.ArtrainUSA.org.

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Wichita Art Museum, an exhibit, "Prints by Woody Crumbo"

At the Wichita Art Museum, an exhibit, "Prints by Woody Crumbo," celebrates his legacy with 18 color serigraphs depicting Native American ceremonies. Crumbo died in 1989.

The prints will be on view in the foyer above the museum's River Room interactive gallery through July 31.

Admission to the Wichita Art Museum, 1400 W. Museum Blvd., is $5, discounts available. On Saturdays, admission is free. For more information, call 268-4921.

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Creating Color

1. Walnut dyes - light brown to dark brown
2. Bloodroot - orange color
3. Yellow onion skins - yellow, rust color to orange
4. Polkberry - sort if like a dark mauve
5. Assorted berries make different colors as well

Place a branch of walnuts and water with the vines to be dyed in a pot. Then place rocks on the vines to hold them under the water and let simmer until the desired shade of brown appears. You can also use walnut hulls by boiling them and running the hulls through a sieve. Place the vines in this mixture and bring it to a boil. Boil for about 10 minutes and then run the vines under cold water until the water runs clear.

The bloodroot can be found along the banks of streams and near running water. It can be recognized by the single white flower which blooms in the early spring. The root can be gathered year round, even after the bloom falls off. Once the bloodroot has been gathered it should be stored in a cool dark place during which time it will shrink. When you are ready to boil the root just add water and let simmer. An orange color will appear in the vines when it is completed. Used liquid bloodroot dye can also be stored in a cool place. Some modern day weavers freeze the liquid which can be used again later.

The skins of the yellow onions can be located at any grocery store. Take the skins and place them in a pan of water with the vines and let simmer until the desired shade of yellow or rust appears. The liquid can be stored and reused.

Polkberry and various other berries. Place in jar or bowl and mash to a pulp. place the reed into the pulp. The longer you let it stand, the darker and richer the color.

From the archives of Blue Panther Keeper of Stories

http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3

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Creation - Comanche

One day the Great Spirit collected swirls of dust from the four directions in order to create the Comanche people. These people formed from the earth had the strength of mighty storms. Unfortunately, a shape-shifting demon was also created and began to torment the people. The Great Spirit cast the demon into a bottomless pit. To seek revenge the demon took refuge in the fangs and stingers of poisonous creatures and continues to harm people every chance it gets.

From the archives of Blue Panther Keeper of Stories

http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3

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Creation A Choctaw Tale

At the beginning there was a great mound. It was called Nanih Wiya. It was from this mound that the Creator fashioned the first of the people. These people crawled through a long, dark cave into daylight. They became the first Choctaw.

From the archives of Blue Panther Keeper of Stories

http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3

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Creation A Digueno Tale - Digueno

When Tu-chai-pai made the world, the earth was the woman, the sky was the man. The sky came down upon the earth. The world in the beginning was a pure lake covered with tulles. Tu-chai-pai and his younger brother, Yo-ko-mat-is, sat together, stooping far over, bowed down by the weight of the sky. The Maker said to his brother, "What am I going to do?" "I do not know," said Yo-ko-mat-is. "Let us go a little farther," said the Maker. So they went a little farther and sat down to rest. "Now what am I going to do?" said Tu-chai-pai. "I do not know, my brother." All of this time the Maker knew what he was about to do, but he was asking his brother's help. Then he said, "We-hicht, we-hicht, we-hicht," three times. He took tobacco in his hand. and rubbed it fine and blew upon it three times. Every time he blew, the heavens rose higher above their heads. Younger brother did the same thing because the Maker asked him to do it. The heavens went higher and higher and so did the sky. Then they did it both together, "We-hicht, we-hicht, we-hicht," and both took tobacco, rubbed it, and puffed hard upon it, sending the sky so high it formed a concave arch.

Then they placed North, South, East, and West. Tu-chai-pai made a line upon the ground. "Why do you make that line?" asked younger brother. "I am making the line from East to West and name them so. Now you make a line from North to South." Yo-ko-mat-is thought very hard. How would he arrange it? Then he drew a crossline from top to bottom. He named the top line North, and the bottom line South. Then he asked, "Why are we doing this?" The Maker said, "I will tell you. Three or four men are coming from the East, and from the West three or four Indians are coming." The brother asked, "Do four men come from the North, and two or three men come from the South?" Tu-chai-pai said, "Yes. Now I am going to make hills and valleys and little hollows of water." "Why are you making all of these things?"

The Maker explained, "After a while when men come and are walking back and forth in the world, they will need to drink water or they will die." He had already made the ocean, but he needed little water places for the people. Then he made the forests and said, "After a while men will die of cold unless I make wood for them to burn. What are we going to do now?" "I do not know," replied younger brother.

"We are going to dig in the ground and find mud to make the first people, the Indians." So he dug in the ground and took mud to make the first men and the first women. He made the men easily, but he had much trouble making women. It took him a long time. After the Indians, he made the Mexicans and finished all his making. He then called out very loudly, "People, you can never die and you can never get tired, so you can walk all the time." But then he made them sleep at night, to keep them from walking in the darkness. At last he told them that they must travel toward the East, where the sun's light was coming out for the first time. The Indians then came out and searched for the light, and at last they found light and were exceedingly glad to see the Sun. The Maker called out to his brother, "It's time to make the Moon. You call out and make the Moon to shine, as I have made the Sun. Sometime the Moon will die. When it grows smaller and smaller, men will know it is going to die, and they must run races to try and keep up with the dying moon."

The villagers talked about the matter and they understood their part and that Tu-chai-pai would be watching to see that they did what he wanted them to do. When the Maker completed all of this, he created nothing more. But he was always thinking how to make Earth and Sky better for all the Indians.

California

From the archives of Blue Panther Keeper of Stories

http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3

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Web Sites:
Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
Native American Summer Camp Info
By David Whitney
Hero, Hawk, and Open Hand
Early tribal artifacts put in spotlight
"Hero, Hawk, and Open Hand" is scheduled to be shown at The St. Louis Art Museum from March 4 to May 30, 2005, and at the Smithsonian National Museum of Natural History from early July to late September.
National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
Petition in Support of the Winnemem Wintu Tribe
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony

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Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)

Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.

Essay on the Zuni World View
Excerpt(Complete article is available in PDF)
Cushing also cited an incidence where he showed a pole that accompanies a theodolite to an old Zuni man and asked him what he thought the name of it was. In response the old man inquired as to the use of the item. After briefly describing the implementation of the device the old man provided a rather lengthy sentence-word that Cushing translated as "heights of the world progressively measuring stick". The next day Cushing took the pole to the extreme corner of the pueblo and began "to flourish it around" until a middle-aged man relented to curiosity and asked what it was. Cushing then provided the Zuni name he had learned the day before and the man promptly requested, "Can they actually tell how far up and down journeying the world is?" [105].

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Prayer at sunrise

Now this day, (Lukka yattone)
My sun father, (Hom yatoka tatcu)
Now that you have come out standing to your sacred place, (yam telashina kwi to' ye lhana kwai ikapa)
That from which we draw the water of life, (yam kia kwi ya na te'ona)
Life sacred meal, (hala wo tinane)
Here I give to you. (lilha tom ho te'a upa)
Your long life, (yam onaya naka)
Your old age, (yam lha shiaka)
Your waters, (yam kashima)
Your seeds, (yam towashonane)
Your riches, (yam u/tenane)
Your power, (yam sawanikia)
Your strong spirit, (yam tsemakwin tsume)
All these to me may you grant, (temlha hom to anikchiana).

To be chanted with an offering of cornmeal
Zuñi

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