Indian Market-Santa Fe's biggest single event
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...
he said, was Victorian -- laden with too many "thou arts"
and "thees.". "It's hard to imagine any character,
let alone a Native American character, talking ...
Indian Market is Santa Fe's biggest single event and the largest show and sale of Native American art and craft in the world. There is no other gathering of Native American artists that offers the breadth of variety and depth of quality than this weekend in Santa Fe. This year marks the 84th annual Indian Market and will feature the work of 1,200 artists from all over North America. In addition to the actual market there are auctions, art shows, special gallery exhibits and artist receptions, musical events and festivities all over town leading up to the weekend show. For seasoned collectors and first-timers alike, Indian Market is a remarkable look at new and old art forms and one of Santa Fe's most memorable events, held this year on the Santa Fe Plaza, Aug. 20-21. Free admission. For information: (505) 983-7647; www.swaia.org.
Native American & Pioneer Camp. Daily activities and crafts teach Native American culture and daily life, in addition to the early farming and transportation in Georgia. Ages 6-10. July 11-14. Gwinnett History Museum, 455 S. Perry St. S.W., Lawrenceville. 770-237-5178.
Midland County, Texas Historical Museum:Permanent exhibits: Native American artifacts, 301 W. Missouri. Open Monday, Wednesday and Friday, 2-5 p.m. Call 682-2931 or 688-8947. Free.
Danbury, CT-The WestConn School of Arts and Sciences will be presenting a talk about Native American storytelling as part of a continuing "Summer Nights" series on Aug. 3 at 6 p.m. in Warner Hall of WestConn's Midtown campus, 181 White St.
NATIVE AMERICAN PLANT USES, how plants were used for medicine, food, potions, poultices or charms by Native Americans, 2-3:30 p.m. July 16, For-Mar Nature Preserve & Arboretum, 2142 N. Genesee Road, Burton, MI.
Audio files discussing the controversy created by Nancy Yaw Davis' book and the speculation of Japanese contacts with the Zuni and perhaps other Native American tribes in prehistoric times. Guests include Nancy Yaw Davis, Hayes Lewis (past superintendant of the Zuni school system), Zuni councilman Arden Kucate, and Malcolm Bowekety, member of the Zuni Nation.
This is a topic worthy of comment. Listen to the file and post your comments here.
Summer art classes for children at FIA
FLINT Ð The Art School has summer classes available for children at the Flint Institute of Arts, 1120 E. Kearsley Street, Flint.
Artwork is a weekly summer program that gives children ages 5-12 the chance to be inspired by great works of art and to make art of their own. Students will see amazing works of art and create their own using exciting materials. Each week is different so children may register for one or more sessions.
Native American culture will be the inspiration for the week of July 25-29 as students will learn about American Indian art and participate in hands-on art activities that will include making petroglyphs, masks, clay vessels and more.
July 29 - 31, 2005 56th Annual Navajo Festival of Arts and Culture, Flagstaff, AZ. Salina Bookshelf will join more than 50 Navajo artists during this event at the Museum of Northern Arizona
Plains Art Museum: "Between Two Cultures: The Art of Star Wallowing Bull," opens Sept. 24; "Contemporary Native American Artists - Reflections After Lewis and Clark," opens July 21; "Suzanne Moser: Folk Paintings" through July 17; "A Different Side of the Collection: Abstract Paintings from the Plains Art Museum," opens July 21. (701) 232-3821.
Alice Walton, heiress and daughter of Sam Walton, un-veiled plans of her dream for the 100,000-square-foot glass and wood Crystal Bridges Museum of American Art, which, she said, would be created in the rustic location of Bentonville, Arkansas. The Crystal Bridges, costing $50m and slated to open in May 2009, will concentrate on Native American art and American artists from the colonial era to the 20th century.
Ohio University Gallery, Athens -- Kennedy Museum of Art, Lin Hall at the Ridges: "Weaving Is Life," Navajo textiles from the Edwin L. and Ruth E. Kennedy Southwest Native American collection; 740-593-1304.
Pacific Grove Museum of Natural History. 165 Forest Ave., Pacific Grove, CA. Impressive exhibits include Native American artifacts. 648-5716.
From: "ghwelker"
Subject: Native American story teller needed (for National Geographic
article)
Dear Mr. Welker,
I am a writer with National Geographic Magazine. I'm currently researching an article about ancient marine reptiles and the legends/stories their fossils have inspired world-wide. Adrienne Meyer kindly gave me your email address. She suggested I contact you about finding a Native American story teller who would be willing to discuss and share with me some of their water monster stories. In particular, I'm looking for someone from the Lakota/Sioux peoples, since they were long familiar with the fossils of the Badlands.
Many thanks for any suggestions and for your kind help.
Best wishes,
Virginia Morell
Contributing Writer
National Geographic Magazine
Glenn Welker
Indigenous Peoples Literature
SEATTLE-Burke Museum Subhankar Banerjee's magnificent photos of the Arctic National Wildlife Refuge are the result of a two-year expedition among caribou and tundra. Savor these images, before ExxonMobil and BP bring their "low-impact" drilling apparatus to ANWR. Also on display: traditional and contemporary Native American art depicting arctic animals. UW campus, Northeast 45th Street and 17th Avenue Northeast, 206-543-5590. 10 a.m.-5 p.m. daily (until 8 p.m. Thurs.).
Gallup, NM Hosts Balloon Festival Over Ancient Red Rock Canyons
The 25th annual Red Rock Balloon Rally takes place the first week of December in Gallup, New Mexico. Come to view the magnificent 200 balloons from across the Southwest, and around the world, fly the ancient canyon walls of Red Rock State Park. Often described as a balloonist’s paradise, this honorable invitation presents pilots with the opportunity to compete for fine Native American Arts and Crafts. Unique to this rally, spectators are welcomed to become active participants by joining balloon chase crews.
For more information contact Maxine Armstrong Touchine at 505-863-1277 or email: mtouchin@ci.gallup.nm.us Please visit their website: http://gallupnm.org
Kickapoo Pow-wow Days
July 15 - 17, 2005
Horton , KS
Contact Information
Michelle Thomas
877-864-2746
michelle.thomas@ktik.org
INVITED DRUMS:
MILWAUKEE BUCKS-Host Northern
YOUNGBIRD-Host Southern
Head Judge: Victor Thomas
Miss Kickapoo 2004-05: Nadas Green
Color Guard: Kickapoo American Legion Post
& Kickapoo Womens Auxillary
SPECIALS
JR GIRLS ALL-AROUND
1st - $300 + Jacket
2nd - $200
3rd - $100
Sponsored by Miss Kickapoo 2004-05,
Nadas Green & Family
MENS TRADITIONAL SPECIAL
Operation Iraqi Freedom
In Honor of Leroy Pelkey, Jr.
JINGLE DRESS SPECIAL
Sponsored by Yvette Ewalk
MEN'S FANCY DANCE SPECIAL
Sponsored by Gabe Bullock
DRUM CONTEST
1st: $3,500
2nd: $2,500
3rd: $1,500
$2,500 split
Minimum of 5 singers
No Drum Hopping
DANCE CHAMPIONSHIP CATEGORIES
GOLDEN AGE 50 & UP
Men Combined
Women Combined
1st-$800 2nd-$500
3rd-$300 4th-$200
ADULTS 18-49
Mens Traditional Womens Northern Traditional
Mens Straight Womens Southern Cloth/Buckskin
Mens Grass Womens Jingle
Mens Fancy Womens Fancy Shawl
1st-$800 2nd-$500
3rd-$300 4th-$200
TEENS 13-17 YRS
Boys Traditional Girls Traditional
Boys Grass Girls Jingle
Boys Fancy Girls Fancy Shawl
1st-$325 2nd-$225
3rd-$150 4th-$100
JUNIORS 6-12-YRS
Boys Traditional Girls Traditional
Boys Grass Girls Jingle
Boys Fancy Girls Fancy Shawl
1st-$200 2nd-$150
3rd-$100 4th-$50
TINY TOTS PAID DAILY
Registration opens Friday at 5:00 pm & Closes Saturday at 1:00 pm. Point system will be used.
Grand Entries:
July 15th-7 p.m.
July 16th-1 p.m. & 7 p.m.
July 17th-1 p.m.
ADMISSION: Weekend Pass: $5
Daily Pass: $3
Seniors 50 & up, Children under 6-FREE
Khowutzun Warmland Inter-Tribal Pow wow
July 15 - 17, 2005
Duncan , BC
Contact Information
Lester Joe OR Fred Roland Jr.
250-709-2248
Additional Information
The vendors tables are as follows: arts and crafts $75.00 a day or $200.00 for the weekend and for two tables only, any more than two there will be an additional charge of $50.00 for each table. Food vendors are as follows: $125.00 a day or $300.00 for weekend. First come first serve bases.
We are expecting around 5000 more or less people this year as we are having our event on the same weekend as the "Duncan Summer Festival Days" which draws about 30,000 more or less people each year. This is where all the town closes the streets off down town and the bussinesses bring their goods on the sreet to sell. So we are expecting a lot of non-natives coming this year.
We reserve the right to change our venue for the vendors.
All proceeds go towards pow-wow. "Sorry no cheques" cash only, paid in full.
vendors are responsible for their merchandice, if they want to purchace insurance they can.
No bussiness licence required.
We will have a security on duty all days and nights thru out the weekend.
Art entries needed for New Mexico State Fair
Native American art will be accepted at the Native American Art Gallery on Wednesday through Friday, Aug. 17-19, from 9 a.m. to 5 p.m. and on Saturday, Aug. 20, from 8 a.m. to 5 p.m. Dealers may pre-register between Tuesday and Friday, Aug. 9-12. Exhibits must have been produced by Native American Indians of federally regulated tribes.
For more information, go online at www.exponm.com, call Vigil-Eastwood at (505) 265-1791, extension 454 or e-mail her at ramonave@swcp.com.
National Museum of the American Indian
National Powwow
Actual Location MCI Center, 601 F Street NW, Washington D.C. 20004
Event Dates August 12, 13, 14, 2005
*Vendor applications will be ready for distribution within the next
couple of weeks. We will allow ample time, approx. 2 months for vendors
to apply. Justin Giles will be the point of contact for vendors and he
is currently taking names and info and will send application forms when
ready.
*General Contact*
Number 877-830-3224 or 301-238-3023
nmainationalpowwow@si.edu
www.americanindian.si.edu
(webpage in development-email announcement to staff when complete)
Artists re-imagine native styles
"Fusing Traditions: Transformations in Glass by Native American Artists," on display at the Rockwell Museum of Western Art in Corning, exhibition introduces the first generation of Native American studio glass artists to re-imagine their cultural art forms: beadwork, pottery, masks, spindlewhorls, dance wands and hats.
Eighteen artists fused cultural heritage and individual creativity into dazzling new glass forms for this traveling exhibition featuring 37 artworks. The show was organized by the Museum of Craft & Folk Art in San Francisco.
The museum is on the corner of Denison Parkway and Cedar Street in Corning. Summer hours: 9 a.m.-8 p.m. daily. Details: www.rockwellmuseum.org.
"HOME: Native People in the Southwest" at the Heard Museum: The Heard ends a yearlong celebration of its 75th anniversary by opening a huge new gallery that houses a larger and improved exhibition of Southwestern Native American art. The new exhibition organizes 2,000 objects by tribe instead of type, includes maps of each tribe's ancestral and modern lands, information about their history, and excerpts of interviews with living members of the tribe. The result is that "HOME" feels less like a showcase of treasures amassed on the cheap by rich white people and more like an explanation of the still-living cultures that produced them. Through 2020. Heard Museum, 2301 N. Central Ave., Phoenix, 602-252-8848.
Artrain USA kicks off Michigan tour
ANN ARBOR Ð Artrain USA has announced a nine-city Michigan State Tour that kicked off May 14 in Petoskey. The Michigan Tour will take the exhibition "Native Views: Influences of Modern Culture" throughout Artrain USA's founding state.
Michigan Tour dates are Harrisville, Oct. 1 to 4; Standish, Oct. 7 to 10; West Branch, Oct. 13 to 16; Owosso, Oct. 20 to 23; and Grand Haven, Oct. 29 to Nov. 1.
"We are thrilled to be sharing our 'Native Views' exhibition in our home state. Touring in Michigan is always a highlight along our national tour route. It is a chance to return to our roots and strengthen our legacy. This tour is a salute the arts in Michigan and the 'Native Views' exhibition is a celebration of the outstanding contributions Native American artists make in our society," said Debra Polich, president and CEO of Artrain USA.
Native Views is a contemporary Native American art exhibition comprised of 71 artworks by 54 Native American artists. It explores the influence of popular culture and the many commonalties shared by all Americans.
Artrain USA is "America's Hometown Art Museum." A nonprofit organization, Artrain is an art museum housed in vintage rail cars that travels via the nation's railroads. More than 3 million people have visited Artrain USA during 780 community visits across 45 states. Founded in Michigan in 1971 by the Michigan Council for the Arts, Artrain USA's national headquarters is in Ann Arbor.
For more information please call 800-ART-1971 or www.ArtrainUSA.org.
Wichita Art Museum, an exhibit, "Prints by Woody Crumbo"
At the Wichita Art Museum, an exhibit, "Prints by Woody Crumbo," celebrates his legacy with 18 color serigraphs depicting Native American ceremonies. Crumbo died in 1989.
The prints will be on view in the foyer above the museum's River Room interactive gallery through July 31.
Admission to the Wichita Art Museum, 1400 W. Museum Blvd., is $5, discounts available. On Saturdays, admission is free. For more information, call 268-4921.
HOW RABBIT FOOLED ALLIGATOR-Creek
When the animals talked with each other just like people do today, a very handsome alligator lay sunning himself luxuriously on a log in which we now call the Florida Everglades. Then along came Rabbit, who said to him, "Alligator, have you ever seen the Evil Spirit?"
"No, Rabbit, but I am not afraid of the Evil Spirit. Are you?" replied Alligator.
"Well now, Mr. A., I did see the Evil Spirit. Do you know what he said about you?" asked Rabbit.
"Now, just what did the Evil Spirit have to say about me?" Alligator replied.
"The Evil Spirit said that you are afraid of him," said Rabbit. "Besides, he said you would not even look at him."
"Rubbish," said Alligator. "I know that I am not afraid of the Evil Spirit and I am not afraid to look at him. Please tell him so for me the next time you see him."
"I do not think you are willing to crawl up the hill the day after tomorrow and allow me to introduce you to the Evil Spirit himself," said Rabbit.
"Oh, yes, I am willing and ready to go with you," replied Alligator. "Let us go tomorrow."
"That is just fine with me," replied Rabbit. "But Mr. A., when you see some smoke rising somewhere, do not be afraid. It is a sign that the Evil Spirit is moving about and will soon be on his way."
"You do not have to worry about me," said Alligator. "I told you I am not afraid of the Evil Spirit."
"When you see the friendly birds flying about, and the deer running at a gallop, do not be afraid," said Rabbit.
"Don't you be concerned, because I will not be afraid," repeated Alligator.
"If you hear some fire crackling and its comes closer to you, do not be scared," said Rabbit. "If the grasses near you begin to smoke, do not be scared. The Evil Spirit is only wandering about. Then is the time for you to get a good look at him when the heat is hottest."
After Rabbit's final words of wisdom, he left Alligator sunning himself.
Next day, Rabbit returned and asked Alligator to crawl up the hill, following him. Rabbit led him to the very top and directed him to lie in the tallest grass. Then Rabbit left Alligator, laughing to himself all the way down the hill, because he had led Alligator to the farthest place away from his home in the water.
On his way, Rabbit came to a smoldering stump. He picked up a piece, carrying it back to the high grass, where he made a fire so the wind blew it toward Alligator.
Soon the fire surrounded the place, burning closer and closer to Alligator. Rabbit then ran to a sandy knoll and sat down to watch the fun, chuckling over the trick he had played on Alligator.
Only a short time passed when the smoke rose in thick spirals, and the birds flew upward and away. Other animals ran for their lives across the field.
Alligator cried out, "Oh, Rabbit, where are you?"
"You just lie there quietly," replied Rabbit. "It's only the Evil Spirit prowling about."
The fire began to roar and spread rapidly. "Oh, Rabbit, what is that I hear?" asked Alligator.
"That's just the Evil Spirit breathing hard," replied Rabbit. "Do not be scared. You will see him soon!"
Rabbit became so amused that he rolled and rolled on the sandy knoll and kicked his heels up in the air with glee.
Soon the grass surrounding Alligator caught fire and began to burn beneath him. Alligator rolled and twisted with pain from his burns.
"Do not be afraid now, Alligator," called Rabbit. "Just be quiet for a little while longer, and the Evil Spirit will be there for you to get a firsthand look at him."
Alligator could not stand any more toasting! He started to crawl as fast as he could down the hillside toward the water. He wriggled through the burning grass, snapping his jaws, rolling in pain, and choking from the smoke.
Rabbit, upon his sandy knoll, laughed and laughed, jumping up and down with delight at the trick he had played on Alligator.
"Wait a minute, Alligator. Don't be in such a hurry. You said you were not afraid of the Evil Spirit," called Rabbit.
By that time Alligator had reached his home in the water, tumbling in to stop the pain of his roasted skin.
Never again did Handsome Alligator trust that trickster, Rabbit, or any of his family, ever!
Dream's Archives
http://groups.msn.com/KeeperofStories2/keeperofstoies2.msnw
Origin of the Sweat Lodge Native American Lore
{The Piegan tribe was southernmost at the headwaters of the Missouri River in Montana, a subtribe belonging to the Siksika Indians of North Saskatchewan in Canada. Piegans were of the Algonquian linguistic family, but warlike toward most of their neighbouring tribes, since they had horses for raiding and were supplied with guns and ammunition by their Canadian sources. Piegans also displayed hostility toward explorers and traders. Several smallpox epidemics decimated their population. Now they are gathered on reservations on both sides of the border.}
A girl of great beauty, the Chief's daughter, was worshipped by many young handsome men of the Piegan tribe. But she would not have any one of them for her husband.
One young tribesman was very poor and his face was marked with an ugly scar. Although he saw rich and handsome men of his tribe rejected by the Chief's daughter, he decided to find out if she would have him for her husband. When she laughed at him for even asking, he ran away toward the south in shame.
After travelling several days, he dropped to the ground, weary and hungry, and fell asleep. From the heavens, Morning-Star looked down and pitied the young unfortunate youth, knowing his trouble.
To Sun and Moon, his parents, Morning-Star said, "There is a poor young man lying on the ground with no one to help him. I want to go after him for a companion."
"Go and get him," said his parents.
Morning-Star carried the young man, Scarface, into the sky. Sun said, "Do not bring him into my lodge yet, for he smells ill. Build four sweat lodges."
When this was done, Sun led Scarface into the first sweat lodge. He asked Morning-Star to bring a hot coal on a forked stick. Sun then broke off a bit of sweet grass and placed it upon the hot coal. As the incense arose Sun began to sing, "Old Man is coming in with his body; it is sacred," repeating it four times.
Sun passed his hands back and forth through the smoke and rubbed them over the face, left arm, and side of Scarface. Sun repeated the ceremony on the boy's right side, purifying him and removing the odours of earthly people.
Sun took Scarface into the other three sweat lodges, performing the same healing ceremony. The body of Scarface changed color and he shone like a yellow light.
Using a soft feather, Sun brushed it over the youth's face, magically wiping away the scar. With a final touch to the young man's long, yellow hair, Sun caused him to look exactly like Morning-Star. The two young men were led by Sun into his own lodge and placed side by side in the position of honour.
"Old Woman," called the father. "Which is your son?"
Moon pointed to Scarface, "That one is our son."
"You do not know your own child," answered Sun.
"He is not our son. We will call him Mistaken-for-Morning-Star," as they all laughed heartily at the mistake.
The two boys were together constantly and became close companions. One day, they were on an adventure when Morning-Star pointed out some large birds with very long, sharp beaks.
"Foster-Brother, I warn you not to go near those dangerous creatures," said Morning-Star. "They killed my other brothers with their beaks."
Suddenly the birds chased the two boys. Morning-Star fled toward his home, but Foster-Brother stopped, picking up a club and one by one struck the birds dead.
Upon reaching home, Morning-Star excitedly reported to his father what had happened. Sun made a victory song honouring the young hero. In gratitude for saving Morning-Star's life, Sun gave him the forked stick for lifting hot embers and a braid of sweet grass to make incense. These sacred elements necessary for making the sweat lodge ceremony were a gift of trust.
"And this my sweat lodge I give to you," said the Sun. Mistaken- for-Morning-Star observed very carefully how it was constructed, in his mind preparing himself to one day returning to earth.
When Scarface did arrive at his tribal village, all of his people gathered to see the handsome young man in their midst. At first, they did not recognize him as Scarface.
"I have been in the sky," he told them. "Behold me, Morning-Star looks just like this. The Sun gave me these things used in the sweat lodge healing ceremony. That is how I lost my ugly scar."
Scarface explained how the forked stick and sweet grass were used. Then he set to work showing his people how to make the sweat lodge. This is how the first medicine sweat lodge was built upon earth by the Piegan tribe.
Now that Scarface was so very handsome and brought such a great blessing of healing to his tribe, the Chief's beautiful daughter became his wife.
In remembrance of Sun's gift to Scarface and his tribe, the Piegans always make the sweat lodge healing ceremony an important part of their annual Sun Dance Celebration.
Brother to Horse
http://groups.msn.com/KeeperofStories/blackfoot.msnw
Creation of St. Lawrence Island - Siberian Eskimo
When Creator was creating the earth, he made at first the shore of Uñi´sak; then he made the Russian land, after that the American land. Then he felt tired, and lay down to have a rest. The sun, however, had not set, and he said, "It is still light. Let me create sornething small. So he stretched out his hand, and took from the bottom of the sea a handful of sand. He pressed the water out of it, - and therefore our island is called ?ibu´kak ("pressed out," "wrung out"), - and put it upon the ground before himself. Then he picked up a few small pebbles and put them in various places on this mound of sand. These were men. They were weak and without enterprise.
He said to them, "You must take your food out of the water. I shall not give you reindeer. They are too good for you." They sought food, and found a walrus, a thong-seal, and a ringed-seal. Still it was not enough, and they were starving. All the people died of starvation; only an orphan was left alive. He was covered with scabs; his skin had large ulcers, and in some places hung down in tatters. He had no food for nearly a month. So he lay in the cold sleeping-room, unable to rise. His body was covered with an old coat of bird-skins without feathers. He lay shaking with cold, and asking for a speedy death.
He wanted to sleep, but could not. So he prayed to the Sea-God,2 not for food, at least for a little sleep. But the sleep did not come. Then he prayed to the Upper God for a little sleep. The sleep did not come. But the Sea-God had compassion on him, and sent a walrus. The walrus came roaring, and emerged out of the ground near the house. Then it plunged back, but left behind a few jelly-fish. Some of them were right in the sleeping-room. The boy felt around with his hands. He found one jelly-fish, and swallowed it; but his stomach was so little used to food, that he died of cramps. The Upper God had compassion on him, and brought him back to life. He ate five more jelly-fishes, and died again. The Upper God brought him back to life another time. Now his stomach was stronger. He ate plenty of jelly-fish, and felt better. Still he had no sleep. He prayed again to the Upper God, who had compassion on him and sent him sleep. He slept three days and two nights. Then he dreamed. Six women - one old one and five young ones - entered the sleeping-room. They put everything in good order, cleaned away the rubbish, spread the skins, and lighted the lamp. Then the room was warm and tidy. He wished to move nearer the lamp, and then he awoke. The sleeping-room was dark and cold, as before. He prayed again for sleep, but without success. Three days and two nights he was there, trembling with cold, then he dozed off and had the same dream. The women came and put the sleeping-room in order. The old woman said, "We are assistants of the Upper God. We must not waken him till everything is ready. Now prepare the food!" The younger women brought a large dish filled with fish, walrus-meat, and seal-blubber. There was everything except whale-skin.
He was awake, but felt afraid to stir, lest the happy dream should vanish, as before. Then the old woman nudged him, "Get up! The meal is ready." He ate. The old woman urinated into a chamber-vessel, and rubbed his body all over with urine. Instantly he was healed of his sores. She blew upon him, and he became strong, like a walrus. Then he copulated with all five of the younger women, one after another; so that his name after that was The-One-copulating-with-Five-Divine-Women. After that he went out and set off, journeying towards the sky. He came to the Sun-Man, and said, "Give us reindeer!" Sun-Man answered, "I cannot do so. In the world above me there lives another God greater than I: he would be angry. Instead of that, I will give you something large and oily, - a great mass of food. Keep it as your property." He took two handfuls of small pebbles. "Take these, and when you come home, throw them into the water." The young man descended, and threw the stones into the water. They turned into whales of various kinds. After that he lived on the surface of the sea. He walked about with the walrus. In the end the people of Kuku´lik killed him by mistake. When dying, he said, "Such are you, and such shall be your fate. When you go out to sea, you shall be drowned. When you stay ashore, you shall die of starvation. When you have food enough, you shall be visited by to´?na?aks of the disease."
After that he died. That is all.
The Eskimo of Siberia by Waldemar Bogoras [Leiden & New York, 1913] Told by Ale´qat, an Asiatic Eskimo man, on St. Lawrence Island, May, 1901.
From the archives of Blue Panther Keeper of Stories
http://groups.msn.com/KeeperofStories
http://www.smartgroups.com/groups/keeper_of_stories_3
Web Sites:
Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
Native American Summer Camp Info
By David Whitney
Hero, Hawk, and Open Hand
Early tribal artifacts put in spotlight
"Hero, Hawk, and Open Hand" is scheduled to be shown at The St. Louis Art Museum from
March 4 to May 30, 2005, and at the Smithsonian National Museum of
Natural History from early July to late September.
National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
Petition in Support of the Winnemem Wintu Tribe
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony
To subscribe to Native Village weekly email reminders, please send your
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NATIVE VILLAGE YOUTH AND EDUCATION NEWS is a free newsletter which
informs
and celebrates in the education, values, traditions, and
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Americas' First Peoples.
Member: Native American Journalists Association
Buffalo Field Campaign
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bfc-media@wildrockies.org
Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex
topic that generates lively discussion. This research synthesis
explores the notions of national, mother-tongue, multiple, and
biliteracies. It presents important information pertaining to
threatened languages, language shift, and language loss. Examples of
culturally relevant uses of literacy in indigenous communities and
issues related to first-language literacy instruction are also
provided.
Essay on the Zuni World View
Excerpt(Complete article is available in PDF)
Cushing also cited an
incidence where he showed a pole that accompanies a theodolite to an old Zuni
man and asked him what he thought the name of it was. In response the old man inquired as to the
use
of the
item. After briefly describing the
implementation of the device the old man provided a rather lengthy
sentence-word that Cushing translated as "heights of the world progressively
measuring stick". The next day Cushing
took the pole to the extreme corner of the pueblo and began "to flourish it
around" until a middle-aged man relented to curiosity and asked what it
was. Cushing then provided the Zuni
name he had learned the day before and the man promptly requested, "Can they
actually tell how far up and down journeying the world is?"
[105].
posted by Amerindian Arts at 5:29 PM
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