Oklahoma Indian Summer Princess
Native
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Sarah Winnemucca: Voice of the Northern Paiutes
American Indian Heritage Day set
Settlement reached in Indian burial site
Tribes on threshold of tourism boom
The traditional and the modern mingle at Festival of the River
Getting Rid of the Settlers (1680)
Murals in federal building spark debate over censorship
The First Art Newspaper on the Net
A butterfly wish – Native American Indian legend
Oklahoma Indian Summer Princess named
Two arrested in theft of prehistoric pots
Delawares closer to federal recognitionArkansas University
The eighth annual Thunder Mountain Native American Festival and Pow-Wow brings drumming, dancing, singing and native foods and arts to Saltsburg, Indiana County, from 10-6 p.m., August 19-20. 877-746-3426
www.newmexicocreates.org is creating a new website.
Institute of American Indian Arts Museum: "Relations: Indigenous Dialogue," group show by artists actively seeking to break stereotypes, through Sept. 30. 108 Cathedral Place, Santa Fe. Admission and hours: (505) 983-8900.
Museum of Indian Arts and Culture: "Elements of Earth and Fire: New Directions in Native American Ceramic Art: Texture," third of three four-month installations, each focusing on one element of pottery-making, through Oct 8; "Wondrous Works: Contemporary Art by Native American Women," through Jan. 14. 708 Camino Lejo, Santa Fe. Admission and hours: (505) 476-1250.
"Native American Pottery from the Pueblos" will run through Aug. 27 at the Art Museum of Greater Lafayette, Indiana, 102 S. 10th St. Gallery hours are 11 a.m. to 4 p.m. Tuesday through Saturday. Call 742-1128.
More than 200 pieces of pueblo pottery from the San Bernardino County Museum's permanent collection will be on view for its new exhibit, "Pottery from the Pueblos," which opened July 15. Runs through November 5, 2006.
August 25-27—PowWow Native American Festival: Intertribal gathering of Native American dancers, drummers, artists, and craftspeople, Friday noon-8 p.m., Saturday 10 a.m.-9 p.m. and Sunday 10 a.m.-6 p.m., Patterson Park at Linwood and Eastern avenues, 410-675-3535, baic.org.
OCT. 5-6
Virginia Indian Symposium -- Williamsburg Hosted by Virginia's Indian tribes, the "400 Years of Survival" symposium will feature nationally known Native American speakers on topics such as sovereignty, federal recognition, health care, repatriation and education.
Atagahi -The Secret Lake – Cherokee
http://www.bigisland.com/~stony/397myths.html
Somewhere in the high ridges of the Great Smokies there was believed to be a lake called Atagahi, the Secret Lake. Few people had heard of it, and this is a story of a young Cherokee brave and his sister who enjoyed the secret of this beautiful lake nestled in the Great Smokies.
Utani placed his bright, shiny, new knife on the ground next to his new moccasins and admired the gleaming of the blade in the sun. He was a young Cherokee brave, rather tall for his age but very powerfully built and with sharp penetrating black eyes. He was too busy admiring the glint of the metal in the sun to notice the approach of Netani, his sister, until the shadow of her body crossed the knife blade and shut off the sun.
"Get out of the way of the sun," cried Utani. "You are blocking the rays from shining on my knife.,, Netani made no effort to move and so Utani repeated his request.
Netani could not understand Utani's demand that she move, but he was her big brother and so she must, obey. As she stepped aside she inquired of Utani why he watched so intently the blade of his knife in the sun.
Utani, of course, now being a man, did not want to give a childish answer such as, "I am watching the blade shine in the sun." So he quickly gave another answer: "I am receiving a message from the sun."
"What sort of message?" asked Netani.
Oh, the sun is telling me where Atagahi is and maybe if I study the blade long enough the sun will tell me just where to find it."
This Utani thought would satisfy his little sister. But her curiosity was too great, and she asked that Utani take her to the secret lake, Atagahi.
Now, Utani realized he had gone a little too far in his bragging; but being very stubborn, he refused to tell his sister that he really could not find the secret lake by looking at the knife blade in the sun. Utani made up his mind that he would have to find the secret lake, Atagahi. He rose and placed his knife carefully in his belt and, taking his sister's hand, started toward the ridges of the Great Smokies. For two hours, Utani and Netani climbed higher and higher into the mountains; but as the day wore on, Utani began to feel a bit frightened, for they were a long way from home and had come upon nothing that looked like a lake. Finally Netani stopped a few feet behind Utani and called out.
"Let us rest here for a while, big brother. I am getting tired. Besides it is late and I am hungry. Let us go back to the village and look tomorrow."
Of course, Utani secretly thought that was a wonderful idea, for he was tired and hungry too. He agreed to follow his little sister's idea.
As he grasped his sister's hand to start home, his foot kicked a small stone, which rolled off the side of the trail and down a small embankment of earth and landed at the bottom with a splash. Utani and Netani looked at each other with great surprise and then carefully stepped to the edge of the path. Utani pushed aside the branches that grew along the side of the trail, and they both peered down into the waters of a beautiful blue green lake nestled among the trees and rocks that hid it from human eyes along the trail. They had found it! They had found Atagahi! It was fast growing dark, so the two children decided to return to their village and come back the following day to the secret lake. When they returned to their village the older braves wanted to know where they had been. Netani said, "We looked at Utani's knife blade in the sun, and the sun told us where to find Atagahi."
The older Cherokee braves all laughed and laughed very loudly. But Netani and Utani did not laugh, for they knew where Atagahi was and they could go there any time they pleased. They never told anyone their secret, but every once in a while if you looked very carefully up the trail into the mountains, you might see two Indian children kicking stones off the side of the trail.
http://groups.msn.com/KeeperofStories/
Reprinted from this site by permission
Articles by Amerindian Arts
Dorothy Dunn On Primitive Art
(Excerpt)Quoting Alice Corbin Henderson, Dunn states that in an Indian society, art is "possessed in common" and "totally lacking in individualistic concept." Thus, objectivity is enjoined with intentionality as personal accomplishment without a reference to the individual. This would satisfy a pedagogic sense of rationality in that in an Indian society "the surest way to make a prayer effective is to symbolize the matter prayed for" (Bandelier). If the prayer (the art of rhetoric) was effective, then it was handed down from generation to generation and its success justified its rationality.
Bibliography of the Zuni Language
Indian Ledger Art-Resources and Information
Books of Interest
AEQ Book Review of
Making Dictionaries: Preserving Indigenous Languages of the Americas .
Frawley, William, Kenneth C. Hill, and Pamela Munro, eds. Berkeley: University of California Press, 2002. 450 pp. ISBN 0520229967, $34.95.
© 2004 American Anthropological Association Book Review
of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Reviewed for the Anthropology & Education Quarterly by Catherine S. Fowler
University of Nevada
csfowler@unr.nevada.edu
To Order this book
THE FOURTH WORLD
W. Tussinger has written his first novel which was released in December, 2004.
W. Tussinger is a member of the Wyandotte Nation of Oklahoma and has lived on several reservations including the Yuroks of Northern California and the Yakamas of Washington State where he attended college.
To Order this book
THE WOMEN/Edward S. Curtis
by Christopher Cardozo; foreword by Louise Erdrich (Bulfinch Press, $35) — Cardozo, who lives in Minneapolis, is the world's foremost expert on, and collector of, photos of American Indians taken by turn-of-the-century photographer Edward S. Curtis. Cardozo went through 1,000 photos to find the 100 sepia-toned images in this book, which show the daily lives of American Indian women at a time when most were already on reservations. Minneapolis novelist and poet Erdrich discusses women's work in her foreword: " … although Edward Curtis believed that he was documenting a vanishing culture, it is in these humble arts that the strength of Native culture lives on."
To Order this book
Literature on Native America
An Overview of Pacific Northwest Native Indian Art
Free downloadable e-book
American Indian Women's Activism in the 1960s and 1970s
by Donna Hightower Langston
Complete article
Linguists Find the Words, and Pocahontas Speaks Again
By JOHN NOBLE WILFORD
Hero, Hawk, and Open Hand, The Book
Early tribal artifacts put in spotlight at the Smithsonian National Museum of
Natural History
"Communing with Bears"
By Sara Wright
Communing with Bears is the story of a joyful encounter between one woman and a black bear.
Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex
topic that generates lively discussion. This research synthesis
explores the notions of national, mother-tongue, multiple, and
biliteracies. It presents important information pertaining to
threatened languages, language shift, and language loss. Examples of
culturally relevant uses of literacy in indigenous communities and
issues related to first-language literacy instruction are also
provided.
Web Sites:
Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
By David Whitney
National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony
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