Native American Art News: Zonnie Gorman to Speak in November

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Zonnie Gorman to Speak in November

Erosion of the El Morro Petroglyphs

University of New Mexico- American Indian Student Day

Maryland Governor appoints Native Americans to Indian Affairs Panel

Upcoming American Indian Art and Artifact Show

Telluride Museum Unearthed Lecture Series Begins- Utes of the Valley

Carrie Wilson- Woman of American Indian heritage

Ancient remains causing problems in Brentwood

American Indian Advocates John Echohawk And Billy Frank Jr. To Be Honored

Third Annual American Indian Symposium

NASP-an invaluable resource for any Native American UIC student

Reservation Business magazine aims at Indian start-ups

Many English terms come from American Indian terms

The National Park Service will present a fine art exhibit featuring watercolor, charcoal and pencil drawings by Sam S. Banagas at the Satwiwa Native American Indian Culture Center weekends only from 9 a.m. to 5 p.m. through Sun., Oct. 29. The program is free to the public. The center is at Rancho Sierra Vista/Satwiwa, Newbury Park.

FRIDAY, NOV. 10

Sherman Alexie – Native American author and speaker presents Without Reservations: An Urban Indian’s Comic, Poetic & Highly Irreverent Look at the World, at Fort Lewis Community College. Call 970/247-7657 for more info.

Chris Eyre: Award-winning filmmaker and UA alum Chris Eyre will be at UA on Friday, Nov. 17. Eyre, a Cheyenne-Arapaho filmmaker (Smoke Signals, Edge of America), will participate in a discussion on his career as a groundbreaking Native American filmmaker with Patrick Roddy, producer-in-residence at UA's Department of Media Arts. The free event starts at 5:30 p.m., at the Center for Creative Photography auditorium.

Jacksonville, TN-Thousands of Native Americans are expected to converge on Parkers Crossroads City Park on Oct. 27-29 for the Cherokee Wolf Clan's first Powwow in Parkers Crossroads.

MONTCLAIR, NJ.- The Montclair Art Museum presents Jaune Quick-to See-Smith: Made in America, on view through January 15, 2007 at its Judy and Josh Weston Exhibition Gallery. Jaune Quick-to-See Smith uses humor and satire to examine myths, stereotypes, and the paradox of American Indian life in contrast to the consumerism of American society.

Smithsonian's National Museum of the American Indian Celebrates American Indian and Alaska Native Heritage Month

Contact: Amy Drapeau, 202-633-6614 or drapeaua@si.edu; Leonda Levchuk, 202-633-6613 or levchukl@si.edu, both of the Smithsonian Institution; Public only: 202-633-1000

WASHINGTON, Oct. 10 /U.S. Newswire/ -- To celebrate American Indian and Alaska Native Heritage Month in November, the Smithsonian's National Museum of the American Indian in Washington, D.C., will host a variety of free public programs.

Panel Discussion: On Friday, Nov. 3, at 7 p.m. in the Rasmuson Theater, a panel discussion will be held on "Indigenous Archaeology: Respecting Objects, History and Place."

Dance Performance: The Lepquinm Gumilgit Gogoadim (Our Own Dance in Our Hearts) Dance Group from Alaska, will present heritage songs and dances from the Tsimshian culture Friday, Nov. 3 through Sunday, Nov. 5, at 10:30 a.m. and noon in the Rasmuson Theater.

Storytelling: Hope and Company, led by Ishmael Hope (Inupiaq/Tlingit) and storytellers, will share stories about Alaska Native heritage Tuesday, Nov. 7 through Thursday, Nov. 9 and Saturday, Nov. 11 and Sunday, Nov. 12, at 2 and 3:30 p.m. in the Rasmuson Theater.

Art Demonstration: David Boxley (Tsimshian) will demonstrate the art of wood carving from Friday, Nov. 10 through Sunday, Nov. 12 at 11 a.m., 1 and 3 p.m. in the Potomac Atrium.

Family Day: A Family Day program on "North Pacific Coast Weaving Traditions" will take place Saturday, Nov. 11, from 10:30 a.m. to 3 p.m. in the Education Workshop on the third level. Tlingit weaver Lorene Boxley will talk about Tlingit women's weaving and participants will have an opportunity to create their own mat or basket to take home.

Performance: Tobias Vanderhoop (Aquinnah Wampanoag) will present "A Wampanoag Thanksgiving" Tuesday, Nov. 14 through Thursday, Nov. 16, at 10:30 a.m., 1 and 3 p.m. in the Rasmuson Theater. Through story, song, drumming and dance, visitors will learn how Wampanoags traditionally offered thanks before contact with non- Natives.

Film: "Stolen Spirits of Haida Gwaii" will be screened in the Rasmuson Theater Friday, Nov. 24, at 7 p.m. and Saturday, Nov. 25, at 1:30 p.m.

All programs are subject to change, for a complete schedule of public programs, visit http://www.AmericanIndian.si.edu .

PORTLAND, IN -- The artistic talents of Native Americans will be on display at Arts Place Nov. 4-Dec. 23.

The show is titled "Out of Tradition: The artwork of the tradition bearers for National Center for Great Lakes Native American Culture."

Museum of New Mexico/Museum of Indian Arts & Culture
Current and Online Exhibitions

Zuni Ontology-Plurality and Substance

The term "substance" in Western metaphysics is commonly used to indicate the permanence of a substratum, whether extended or non-extended, which underlies and constitutes reality. Its extension is manifest in the appearances of the physical world, and its non-extension may refer to its coming to be and passing out of existence, i.e. the concept of change. Other terms which may be intimated in a discussion of substance may include but not be limited to "matter", "time", "space", "being", "cause and effect", etc. This synopsis of substance may seem to be overly generalized (actually, it is), but is intended here simply to illustrate a dichotomy in Western thought which is not intrinsically appropriate to the study of the Native Americans, except perhaps by contrast, and more particularly to the study of Native American languages, which have no means of expressing the distinction between, for lack of better terms, "spiritual" and "non-spiritual" matter

In the Zuni language, the noun /a means "stone" or "rock" (the "/" represents a glottal stop). As a transitive verb, /a refers to "being depressions in rocks", but as Newman noted, /a belongs to a class of verbs "which are statics referring to the existence of an entity or quality" and "English translation fails to demonstrate convincingly that a verb of this type is transitive". Thus, "being depressions in rocks" could be translated as "a depression is", or "there is a depression", or "it has a depression". This may predispose one to interpret an apparent confusion of the substantive and predicative (Cushing noted this in Zuni Fetishes). As an intransitive verb the meaning of /a is a demonstrative "be prone", or "be laying", indicating location, and belongs to the same class of verbs denoting static entities where the direct object of the verb becomes indefinitized.

The term /a has also been translated as "stone" when it appears as a prefix in the transitive verb -po/ya, a term which means "to cover". In Zuni Ceremonialism Bunzel translates /a -po/yanne as "stone cover" (meaning "sky"), a term which Newman translates as simply "sky". The suffix -nne means singularity.

This same term was translated by Cushing as a verb meaning "all covering" in reference to Apoyan Tatcu, which means "Father Sky". Cushing's intention was "all-covering Father". This later use is in accord with the presence of /a in the form of the inflectional prefix /a.w-, a verbal pronominal prefix for a plural absolutive, where .w- is dropped when appearing before a consonant. This use of inflection is also correct in referring to nominal particles indicating kinship terms, names of animals, demonstratives, numbers, and indefinites, and the presense of /a in this use is that of a word, not a syllable. /A -po/yanne would not be a particle, whereas /a -po/yan tatcu would be.

However, this use of inflection in a particle is in contrast to the translation of such particles as A pila shiwani, which means "bow priests". The correct inflection of pi/la is pi/la we/, but in the compound of the particle the inflection is denoted by the prefix /a which is a word meaning plurality of an indefinite number. As Miner notes, this is a rare use and the inflection is generally affixed to the head term, as in tehli-ya-ka /a-shiwani (night priests), or tehli-ya-ka /a-tatcu (night father, notice the convergence of plurality and singularity, i.e. there is but one night father and he exhausts a class).

One might interpret Bunzel's translation as being influenced by her considerable contact with Zuni folklore, and Cushing's translation due to his membership with the /A -pi/la shiwani and considerable knowledge of Zuni mythology. Bunzel had criticized Cushing's translations as "metaphysical glossing", but the accuracy of that claim in regard to /A pi/la shiwani remains unseen. It should be noted that Bunzel's translation of /a te-ona in Zuni Ceremonialism as "beings" is tantamount to translating it as "all (/a) those whom are (ona) terrestrial (te)", and was intended to exhaust the class, just as Cushing's translation of /A po/yan Tatcu was intended to exhaust the class (there can be only one father sky). It should also be noted that Cushing may have confounded (or compounded) his usage of the plural absolutive with the separate, derivational use of /a which pluralizes particles referring to persons (/a hoi).

In conclusion, the common usage and multi-referentiality of the word /a lends ambiquity to the interpretation of many words and may possibly represent preconceptions which semantically transcend any dichotomy of spiritual and non-spiritual matter.

Clover Grasses, Grass Seeds, And Edible Roots – Miwok

Green clover and grasses were eaten raw; the Indian simply grazing on the meadows as would a horse. Dried grass seeds were gathered by shaking them from their stems into baskets and made into mush or soup. The bulbous root of the brodiæa, a lily-like plant that abounds in the meadows and along the streams, was also used extensively as a food, being prepared and eaten much in the same manner as the boiled domestic onion of today. The Lore and the Lure of the Yosemite: The Indians, Their Customs, Legends and Beliefs, and the Story of Yosemite; by Herbert Earl Wilson; San Francisco; A. M. Robertson [1922] and is now in the public domain.[ Miwok]

"http://groups.msn.com/KeeperofStories/
Reprinted from this site by permission

Cloud Catcher and the Moon Woman - Ojibwa

http://www.realduesouth.net/WolfsRetreat/Ojibwa.htm Here is the myth of Endymion and Diana, as told on the shores of Saginaw Bay, in Michigan, by Indians who never heard of Greeks. Cloud Catcher, a handsome youth of the Ojibways, offended his family by refusing to fast during the ceremony of his coming of age, and was put out of the paternal wigwam. It was so fine a night that the sky served him as well as a roof, and he had a boy's confidence in his ability to make a living, and something of fame and fortune, maybe. He dropped upon a tuft of moss to plan for his future, and drowsily noted the rising of the moon in which he seemed to see a face. On awakening he found that it was not day, yet the darkness was half dispelled by light that rayed from a figure near him--the form of a lovely woman. "Cloud Catcher, I have come for you," she said. And as she turned away he felt impelled to rise and follow. But, instead of walking, she began to move into the air with the flight of an eagle, and, endowed with a new power, he too ascended beside her. The earth was dim and vast below, stars blazed as they drew near them, yet the radiance of the woman seemed to dull their glory. Presently they passed through a gate of clouds and stood on a beautiful plain, with crystal ponds and brooks watering noble trees and leagues of flowery meadow; birds of brightest colors darted here and there, singing like flutes; the very stones were agate, jasper and chalcedony. An immense lodge stood on the plain, and within were embroideries and ornaments, couches of rich furs, pipes and arms cut from jasper and tipped with silver. While the young man was gazing around him with delight, the brother of his guide appeared and reproved her, advising her to send the young man back to earth at once, but, she flatly refused to do so, he gave a pipe and bow and arrows to Cloud Catcher, as a token of his consent to their marriage, and wished them happiness, which, in fact, they had. This brother, who was commanding, tall, and so dazzling in his gold and silver ornaments that one could hardly look upon him, was abroad all day, while his sister was absent for a part of the night. He permitted Cloud Catcher to go with him on one of his daily walks, and as they crossed the lovely Sky Land they glanced down through open valley bottoms on the green earth below. The rapid pace they struck gave to Cloud Catcher an appetite and he asked if there were no game. "Patience," counseled his companion. On arriving at a spot where a large hole had been broken through the sky they reclined on mats, and the tall man loosing one of his silver ornaments flung it into a group of children playing before a lodge. On of the little ones fell and was carried within, amid lamentations. Then the villagers left their sports and labors and looked up at the sky. The tall man cried, in a voice of thunder, "Offer a sacrifice and the child shall be well again." A white dog was killed, roasted, and in a twinkling it shot up the feet of Cloud Catcher, who, being empty, attacked it voraciously. Many such walks and feasts came after, and the sights of earth and taste of meat filled the mortal with longing to see his people again. He told his wife that he wanted to go back. She consented, after a time, saying, "Since you are better pleased with the cares, the ills, the labor, and the poverty of the world than with the comfort and abundance of Sky Land, you may return; but remember you are still my husband, and beware how you venture to take an earthly maiden for a wife. "She arose lightly, clasped Cloud Catcher by the wrist, and began to move with him through the air. The motion lulled him and he fell asleep, waking at the door of his father's lodge. His relatives gathered and gave him welcome, and he learned that he had been in the sky for a year. He took the privations of a hunter's and warrior's life less kindly than he though to, and after a time he enlivened its monotony by taking to wife a bright-eyed girl of his tribe. In four days she was dead. The lesson was unheeded and he married again. Shortly after, he stepped from his lodge one evening and never came back. The woods were filled with a strange radiance on that night, and it is asserted that Cloud Catcher was taken back to the lodge of the Sun and Moon, and is now content to live in heaven.

"http://groups.msn.com/KeeperofStories/
Reprinted from this site by permission

Articles by Amerindian Arts

Note on Zuni substance

Concept of the Sublime

Dorothy Dunn On Primitive Art
(Excerpt)Quoting Alice Corbin Henderson, Dunn states that in an Indian society, art is "possessed in common" and "totally lacking in individualistic concept." Thus, objectivity is enjoined with intentionality as personal accomplishment without a reference to the individual. This would satisfy a pedagogic sense of rationality in that in an Indian society "the surest way to make a prayer effective is to symbolize the matter prayed for" (Bandelier). If the prayer (the art of rhetoric) was effective, then it was handed down from generation to generation and its success justified its rationality.

Essay on the Zuni World View

Bibliography of the Zuni Language

Indian Ledger Art-Resources and Information

Books of Interest

Navajo Spaceships

Classic Hopi And Zuni Kachina Figures

MESA VERDE NATIONAL PARK: THE FIRST 100 YEARS

Fine Indian Jewelry: The Millicent Rogers Museum Collection

AEQ Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Frawley, William, Kenneth C. Hill, and Pamela Munro, eds. Berkeley: University of California Press, 2002. 450 pp. ISBN 0520229967, $34.95.
© 2004 American Anthropological Association Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Reviewed for the Anthropology & Education Quarterly by Catherine S. Fowler
University of Nevada
csfowler@unr.nevada.edu
To Order this book

THE FOURTH WORLD
W. Tussinger has written his first novel which was released in December, 2004.
W. Tussinger is a member of the Wyandotte Nation of Oklahoma and has lived on several reservations including the Yuroks of Northern California and the Yakamas of Washington State where he attended college.
To Order this book

THE WOMEN/Edward S. Curtis
by Christopher Cardozo; foreword by Louise Erdrich (Bulfinch Press, $35) — Cardozo, who lives in Minneapolis, is the world's foremost expert on, and collector of, photos of American Indians taken by turn-of-the-century photographer Edward S. Curtis. Cardozo went through 1,000 photos to find the 100 sepia-toned images in this book, which show the daily lives of American Indian women at a time when most were already on reservations. Minneapolis novelist and poet Erdrich discusses women's work in her foreword: " … although Edward Curtis believed that he was documenting a vanishing culture, it is in these humble arts that the strength of Native culture lives on."
To Order this book

Literature on Native America

An Overview of Pacific Northwest Native Indian Art
Free downloadable e-book

American Indian Women's Activism in the 1960s and 1970s
by Donna Hightower Langston
Complete article

Linguists Find the Words, and Pocahontas Speaks Again
By JOHN NOBLE WILFORD

Hero, Hawk, and Open Hand, The Book
Early tribal artifacts put in spotlight at the Smithsonian National Museum of Natural History

"Communing with Bears"
By Sara Wright
Communing with Bears is the story of a joyful encounter between one woman and a black bear.

Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.

Web Sites:

Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
By David Whitney

National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony

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