Thursday, October 4, 2007

October Native American Pow wows,

Andres Quandelacy, Bisbee Cobolt Azurite Buffalo

Native American arts daily news, presented by
amerindianarts.us

Headlines, exhibits, powwows listed below: (access headline archives for 2004-2006 here)


List of Native American Authors

Art first, ethnicity second Native artists embrace multicultural world

Blackfeet Community Foundation, Blackfeet spirit

Heard Museum film festival, Oct. 12-14

Moundville Native American Festival

Chitimacha Tribe to Develop Rosetta Stone Software

Festival Provides a Taste of Native American Culture

“Lakota: A Life Language” will be presented on Native American Day

Crazy Horse sets Native American Day celebration

"Lost Arts," a Southeast Native American Art Show

Abenaki crafts may be recognized

Kansas City American Indian festival is Oct. 6-7

A celebration of heritage-Moundville Archeological Park

Heard Museum Shops ready for annual sale

Michigan Indian Day on Friday at the Kellogg Center

Lake State Native American Center

Montanan pivotal in development of American Indian shoe

8 women vie for Miss Indian Arizona

Native flute festival celebrates culture

ARTIST FIRST, INDIAN SECOND: Native artists embrace multicultural world

Indian Summer Days Festival Is Oct. 5-7

Crackdown on Fake Indian Arts and Crafts

University of Phoenix Accepting Applications for First Nations Scholarship

American Indians come together for annual powwow


Leelanau Community Cultural Center Fiber Festival is October 5-6

Native American Art Market will be featured in the Leelanau Historical Museum from 10 a.m. to 4 p.m., Oct. 6th, Leland, Michigan


Heard Museum film festival, Oct. 12-14

What: About 50 films by and/or about Native Americans and indigenous peoples from around the world.
When: Oct. 12-14. Film times/dates presently noted at heard.org may change.
Where: Heard Museum, 2301 N. Central Ave., Phoenix.
Admission: $10, includes museum admission; $20, day pass; $80, three-day pass.
Details: (602) 252-8848, heard.org.


The fall’s premier Native American art event, the Cherokee Art Market, is returning for its second year to Cherokee Casino Resort in Tulsa on Oct. 13-14. The Cherokee Art Market will unveil Native American art from across the nation at this event, which will feature the top 200 elite Native American artists in the country appearing by invitation only. Art patrons will have the opportunity to view and purchase native paintings, sculptures, weavings, baskets, clothing, jewelry and photography. To complement this collection of artwork, the Cherokee Art Market will also host live performances of singing, dancing and storytelling and a Native American art symposium.


Native American art and history exhibit by artist Jon Tiger
Where: Walker County Civic Center on U.S. 27 in Rock Spring
When: Friday, Nov. 9, from 11 a.m. to 2 p.m.; Saturday, Nov. 10, from 10 a.m. to 6 p.m., and Sunday, Nov. 11, from noon to 6 p.m.
Cost: $5 fee for adults


Rockwell Museum of Western Art exhibit "By Native Hands: Native American Baskets from the Lauren Rogers Museum of Art." The exhibit features about 64 baskets, many of which were created between 1850 and 1910. The diverse selection of baskets include a variety of materials and dyes from local plants. Various tribal styles and techniques are represented in the artistry.
The exhibit will remain on display through Nov. 11. The museum is at 111 Cedar St. in Corning, NY. To make reservations for the reception, call (607) 974-2333.


Kalamazoo, MI, American Indian Dance Theatre--7:30 p.m. Tuesday, Nov. 6--The American Indian Dance Theatre will share their history and heritage through an evening of dance. The troupe pays tribute to the Native American culture, customs and values with a blend of traditional and modern movement and music. Tickets for American Indian Dance Theatre at Miller Auditorium range from $10 to $35


Work by local artist Dejean Jawrunner and Linda Lomahaftewa will be on exhibit at the Harwood Museum of Art/Millicent Rogers Museum in Taos, NM, Sept 28 to Dec. 30.


A Kiowa's Odyssey: A sketchbook from Fort Marion, images by Etahdleuh Doanmoe, an American Indian who more than 125 years ago was taken from his home in Oklahoma and imprisoned in an Army fort in Florida along with 71 other Indians. The Trout Gallery, Dickinson College, Carlisle, PA. Runs until early 2008.


Museum of New Mexico/Museum of Indian Arts & Culture-Current and Online Exhibitions


Recent Books of Interest

''Canyon Gardens: The Ancient Pueblo Landscapes of the American Southwest (University of New Mexico Press: 2006). Editors V.B. Price and Baker H. Morrow have assembled 15 essays on the millennium-old Puebloan landscape.

"Being Lakota", Book by Larissa Petrillo

"American Indian Nations: Yesterday, Today and Tomorrow", Book by George Horse Capture


How The Rabbit Stole The Otter's Coat – Cherokee

The animals were of different sizes and wore coats of various colors and patterns. Some wore long fur and others wore short. Some had rings on their tails, and some had no tails at all. Some had coats of brown, others of black or yellow. They were always disputing about their good looks, so at last they agreed to hold a council to decide who had the finest coat.

They had heard a great deal about the Otter, who lived so far up the creek that he seldom came down to visit the other animals. It was said that he had the finest coat of all, but no one knew just what it was like, because it was a long time since anyone had seen him. They did not even know exactly where he lived--only the general direction; but they knew he would come to the council when the word got out.

Now the Rabbit wanted the verdict for himself, so when it began to look as if it might go to the Otter he studied up a plan to cheat him out of it. He asked a few sly questions until he learned what trail the Otter would take to get to the council place. Then, without saying anything, he went on ahead and after four days' travel he met the Otter and knew him at once by his beautiful coat of soft dark-brown fur. The Otter was glad to see him and asked him where he was going.

"O," said the Rabbit, "the animals sent me to bring you to the council; because you live so far away they were afraid you mightn't know the road." The Otter thanked him, and they went on together.

They traveled all day toward the council ground, and at night the Rabbit selected the camping place, because the Otter was a stranger in that part of the country, and cut down bushes for beds and fixed everything in good shape. The next morning they started on again. In the afternoon the Rabbit began to pick up wood and bark as they went along and to load it on his back. When the Otter asked what this was for the Rabbit said it was that they might be warm and comfortable at night. After a while, when it was near sunset, they stopped and made their camp.

When supper was over the Rabbit got a stick and shaved it down to a paddle. The Otter wondered and asked again what that was for.

"I have good dreams when I sleep with a paddle under my head," said the Rabbit.

When the paddle was finished the Rabbit began to cut away the bushes so as to make a clean trail down to the river. The Otter wondered more and more and wanted to know what this meant.

Said the Rabbit, "This place is called Di'tatlâski'yï [The Place Where it Rains Fire]. Sometimes it rains fire here, and the sky looks a little that way to-night. You go to sleep and I'll sit up and watch, and if the fire does come, a soon as you hear me shout, you run and jump into the river. Better hang your coat on a limb over there, so it won't get burnt."

The Otter did as he was told, and they both doubled up to go to sleep, but the Rabbit kept awake. After a while the fire burned down to red coals. The Rabbit called, but the Otter was fast asleep and made no answer. In a little while he called again, but the Otter never stirred. Then the Rabbit filled the paddle with hot coals and threw them up into the air and shouted, "It's raining fire! It's raining fire!"

The hot coals fell all around the Otter and he jumped up. "To the water!" cried the Rabbit, and the Otter ran and jumped into the river, and he has lived in the water ever since.

The Rabbit took the Otter's coat and put it on, leaving his own instead, and went on to the council. All the animals were there, every one looking out for the Otter. At last they saw him in the distance, and they said one to the other, "The Otter is coming!" and sent one of the small animals to show him the best seat. They were all glad to see him and went up in turn to welcome him, but the Otter kept his head down, with one paw over his face. They wondered that he was so bashful, until the Bear came up and pulled the paw away, and there was the Rabbit with his split nose. He sprang up and started to run, when the Bear struck at him and pulled his tail off, but the Rabbit was too quick for them and got away.

Myths of the Cherokee by James Mooney. From the Nineteenth Annual Report of the Bureau of American Ethnology 1897-98, Part I. [1900] and is now in the public domain.

Blue Panther Keeper of Stories


Spokane artist George Flett, well kown for his depictions of ledger art, announcing forthcoming book "The Ledger Art of George Flett"

Po'pay, Leader of the First American Revolution, Clear Light Publishing, 2006, new book by Herman Agoyo (Ohkay Owingeh)


Zuni fetish updates from Amerindian Arts


Profiles, Biographies of Native American Painters and Potters

Tony Abeyta

Arthur Amiotte

Rick Bartow

Earl Biss

Acee Blue Eagle

Clifford Brycelea

T.C. Cannon

Pop Chalee

Alice Cling

Woody Crumbo

David Dawangyumptewa

Mamie Deschillie

Ted Draper, Jr.

Anita Fields

George Flett

Jody Folwell

Harry Fonseca

Edgar Hachivi, Heap of Birds

Bob Haozous

Helen Hardin

Allan Houser

Oscar Howe

Doug Hyde

Lenni Lenape artist Jacque

Arapaho artist Brent Learned

Lee Marmon

Leslie Marmon Silko

Maria Martinez

Mario Martinez

Arlo Namingha

Dan Namingha

Nampeyo

Jackson Narcomey

Nora Naranjo-Morse

Kevin Red Star

Diego Romero

Mateo Romero

Fritz Scholder

Axangayuk Shaa

Juane Smith Quick-to-See

Jacquie Stevens

Virginia Stroud

Roxanne Swentzell

Urshel Taylor

Jerome Tiger

Dorothy Torivio

Dora Tse-Pe

Robert Dale Tsosie

Donald Vann

Gary White Deer

Ernie Whiteman

Lorraine Williams

Melanie Yazzie

Alfred Young Man


Books of Interest


Navajo Spaceships

Classic Hopi And Zuni Kachina Figures

MESA VERDE NATIONAL PARK: THE FIRST 100 YEARS

Fine Indian Jewelry: The Millicent Rogers Museum Collection

AEQ Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Frawley, William, Kenneth C. Hill, and Pamela Munro, eds. Berkeley: University of California Press, 2002. 450 pp. ISBN 0520229967, $34.95.
© 2004 American Anthropological Association Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Reviewed for the Anthropology & Education Quarterly by Catherine S. Fowler
University of Nevada
csfowler@unr.nevada.edu
To Order "Making Dictionaries: Preserving Indigenous Languages of the Americas"

THE FOURTH WORLD
W. Tussinger has written his first novel which was released in December, 2004.
W. Tussinger is a member of the Wyandotte Nation of Oklahoma and has lived on several reservations including the Yuroks of Northern California and the Yakamas of Washington State where he attended college.
To Order this book

THE WOMEN/Edward S. Curtis
by Christopher Cardozo; foreword by Louise Erdrich (Bulfinch Press, $35) — Cardozo, who lives in Minneapolis, is the world's foremost expert on, and collector of, photos of American Indians taken by turn-of-the-century photographer Edward S. Curtis. Cardozo went through 1,000 photos to find the 100 sepia-toned images in this book, which show the daily lives of American Indian women at a time when most were already on reservations. Minneapolis novelist and poet Erdrich discusses women's work in her foreword: " … although Edward Curtis believed that he was documenting a vanishing culture, it is in these humble arts that the strength of Native culture lives on."
To Order this book


Literature on Native America


An Overview of Pacific Northwest Native Indian Art
Free downloadable e-book

American Indian Women's Activism in the 1960s and 1970s
by Donna Hightower Langston
Complete article

Linguists Find the Words, and Pocahontas Speaks Again
By JOHN NOBLE WILFORD

Hero, Hawk, and Open Hand, The Book
Early tribal artifacts put in spotlight at the Smithsonian National Museum of Natural History
Click here, Stewart Quandelacy, Blue Peruvian Opal Medicine Bear

"Communing with Bears"
By Sara Wright
Communing with Bears is the story of a joyful encounter between one woman and a black bear.

Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.


Web Sites:


Andres Quandelacy, Blue Peruvian Opal Bear with Fish

Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
By David Whitney

National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony

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Andres Quandelacy, Bisbee Cobolt Azurite Buffalo
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