Wednesday, January 17, 2007

Shinnecock Indians, Gerrymandering and the American Indian's right to vote, Reviving the Oneida language, more...

Native American arts daily news, presented by
amerindianarts.us

Gibbs Othole Blue Andean Opal bear

On the recognition of the Shinnecock Indians

Gerrymandering and the American Indian's right to vote

Opening the media doors to Indian youth

Duke Energy delays development on Lake Keowee

Reviving the Oneida language

Maine officials ought to rethink Indian affairs

Store lures loyal following of American Indians

American Indian culture involves more than genocide

WHAT TO DO WITH INDIAN LYNCHING MURALS

Legit Indians and the red flag of a wannabe


National Endowment for the Humanities has pledged a $5,000 grant to help the Moravian College's Reeves Library assess how best to preserve and secure its collection of documents, photographs, rare books and other artifacts.

Among the most beautiful and unique features of the rare books collection is a complete 20-volume set of ''The North American Indian,'' Edward S. Curtis's landmark and controversial documentation of American Indian culture. The set, which Curtis worked to produce over nearly 25 years, from 1907 to 1930, includes 20 volumes of text and pictures with an accompanying 20-volume portfolio of 720 12-by-16 photogravure sheets. Only about 220 sets were produced and, in many cases, the photogravures from the portfolios were split up.
-Daryl Nerl Of The Morning Call


Embroidery works from the Winnebago, Ojibwa and Cree tribes, which is now part of "Selections From the Native North American Art Collection" on display through March 4 in the Mestrovic Studio Gallery, University of Notre Dame's Snite Museum of Art.


Jaune Quick-To-See Smith, Contemporary Native American Paintings. Feb. 10-April 8. Muscarelle Museum of Art, Williamsburg.


American Indian bags as works of art

The exhibit, “Heritage of Design: American Indian and First Nation Treasures from the Maryhill Museum,” will run until June 10 and will feature hand-woven artifacts from tribes in the Plateau region of the Northwest, which includes British Columbia, Washington, Idaho, Montana and Oregon.


Museum of New Mexico/Museum of Indian Arts & Culture
Current and Online Exhibitions


Coyote Steals the Sun and Moon - Zuni

Coyote is a bad hunter who never kills anything. Once he watched Eagle hunting rabbits, catching one after another--more rabbits than he could eat. Coyote thought, "I'll team up with Eagle so I can have enough meat." Coyote is always up to something.

"Friend," Coyote said to Eagle, "we should hunt together. Two can catch more than one."

"Why not?" Eagle said, and so they began to hunt in partnership. Eagle caught many rabbits, but all Coyote caught was some little bugs.

At this time the world was still dark; the sun and moon had not yet been put in the sky. "Friend," Coyote said to Eagle, "no wonder I can't catch anything; I can't see. Do you know where we can get some light?"

"You're right, friend, there should be some light," Eagle said. "I think there's a little toward the west. Let's try and find it."

And so they went looking for the sun and moon. They came to a big river, which Eagle flew over. Coyote swam, and swallowed so much water that he almost drowned. He crawled out with his fur full of mid, and Eagle asked: "Why don't you fly like me?"

"You have wings, I just have hair," Coyote said. "I can't fly without feathers."

At last they came to a pueblo, where the Kachinas happened to be dancing. The people invited Eagle and Coyote to sit down and have something to eat while they watched the sacred dances. Seeing the power of the Kachinas, Eagle said, "I believe these are the people who have light."

Coyote, who had been looking all around, pointed out two boxes, one large and one small, that the people opened whenever they wanted light. To produce a lot of light, they opened the lid of the big box, which contained the sun. For less light they opened the small box, which held the moon.

Coyote nudged Eagle. "Friend, did you see that? They have all the light we need in the big box. Let's steal it."

"You always want to steal and rob. I say we should just borrow it."

"They won't lend it to us."

"You may be right," said Eagle. "Let's wait till they finish dancing and then steal it."

After a while the Kachinas went home to sleep, and Eagle scooped up the large box and flew off. Coyote ran along trying to keep up , panting, his tongue hanging out. Soon he yelled up to Eagle, "Ho, friend, let me carry the box a little way."

"No, no," said Eagle, "you never do anything right."

He flew on, and Coyote ran after him. After a while Coyote shouted again: "Friend, you're my chief, and it's not right for you to carry the box; people will call me lazy. Let me have it."

"No, no, you always mess everything up." And Eagle flew on and Coyote ran along.

So it went for a stretch, and then Coyote started again. "Ho, friend, it isn't right for you to do this. What will people think of you and me?"

"I don't care what people think. I'm going to carry this box."

Again Eagle flew on and Coyote ran after him. Finally Coyote begged for the fourth time: "Let me carry it. You're the chief, and I'm just Coyote. Let me carry it."

Eagle couldn't stand any more pestering. Also Coyote had asked him four times, and if anyone asks four times, you better give him what he wants. Eagle said, "Since you won't let up on me, go ahead and carry the box for a while. But promise not to open it."

"Oh, sure, oh yes, I promise." They went on as before, but now Coyote had the box. Soon Eagle was far ahead, and Coyote lagged behind a hill where Eagle couldn't see him. "I wonder what the light looks like, inside there," he said to himself. "Why shouldn't I take a peek? Probably there's something extra in the box, something good that Eagle wants to keep to himself."

And Coyote opened the lid. Now, not only was the sun inside, but the moon also. Eagle had put them together, thinking that it would be easier to carry one box than two.

As soon as Coyote opened the lid, the moon escaped flying high into the sky. At once the plants shriveled up and turned brown. Just as quickly, all the leaves fell off the trees, and it was winter.

Trying to catch the moon and put it back in the box, Coyote ran in pursuit as it skipped away from him. Meanwhile the sun flew out and rose into the sky. It drifted far away, and the peaches, squashes, and melons shriveled up with cold.

Eagle turned and flew back to see what had delayed Coyote. "You fool! Look what you've done!" he said. "You let the sun and moon escape, and now it's cold." Indeed, it began to snow, and Coyote shivered. "Now your teeth are chattering," Eagle said, "and it's your fault that cold has came into the world."

It's true. If it weren't for Coyote's curiosity and mischief making, we wouldn't have winter; we could enjoy summer all the time.

Day and night (as represented by the sun and moon) are metaphorically associated with summer and winter; hence the release of the moon brings death and desolation to the world. Coyote of course completely disrupts the seasonal cycle by interfering with the heavenly progression. The Kachinas mentioned were at the time of this story demi-gods, supernatural intermediaries, mostly benign, who regularly visited the pueblos and established elaborate rituals that include festive dances for the people.

Based on a story reported by Ruth Benedict in 1935
Also From American Indian Myths and Legends, Richard Erdoes and Alfonso Ortiz, editors. Copyright ? 1984 by Richard Erdoes and Alfonso Ortiz. Reprinted by permission of Pantheon Books, a division of Random House, Inc.

http://groups.msn.com/KeeperofStories/
Reprinted by permission


Articles by Amerindian Arts


Note on Zuni substance

Concept of the Sublime

Dorothy Dunn On Primitive Art
(Excerpt)Quoting Alice Corbin Henderson, Dunn states that in an Indian society, art is "possessed in common" and "totally lacking in individualistic concept." Thus, objectivity is enjoined with intentionality as personal accomplishment without a reference to the individual. This would satisfy a pedagogic sense of rationality in that in an Indian society "the surest way to make a prayer effective is to symbolize the matter prayed for" (Bandelier). If the prayer (the art of rhetoric) was effective, then it was handed down from generation to generation and its success justified its rationality.

Essay on the Zuni World View

Bibliography of the Zuni Language

Indian Ledger Art-Resources and Information

Books of Interest


Navajo Spaceships

Classic Hopi And Zuni Kachina Figures

MESA VERDE NATIONAL PARK: THE FIRST 100 YEARS

Fine Indian Jewelry: The Millicent Rogers Museum Collection

AEQ Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Frawley, William, Kenneth C. Hill, and Pamela Munro, eds. Berkeley: University of California Press, 2002. 450 pp. ISBN 0520229967, $34.95.
© 2004 American Anthropological Association Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Reviewed for the Anthropology & Education Quarterly by Catherine S. Fowler
University of Nevada
csfowler@unr.nevada.edu
To Order this book

THE FOURTH WORLD
W. Tussinger has written his first novel which was released in December, 2004.
W. Tussinger is a member of the Wyandotte Nation of Oklahoma and has lived on several reservations including the Yuroks of Northern California and the Yakamas of Washington State where he attended college.
To Order this book

THE WOMEN/Edward S. Curtis
by Christopher Cardozo; foreword by Louise Erdrich (Bulfinch Press, $35) — Cardozo, who lives in Minneapolis, is the world's foremost expert on, and collector of, photos of American Indians taken by turn-of-the-century photographer Edward S. Curtis. Cardozo went through 1,000 photos to find the 100 sepia-toned images in this book, which show the daily lives of American Indian women at a time when most were already on reservations. Minneapolis novelist and poet Erdrich discusses women's work in her foreword: " … although Edward Curtis believed that he was documenting a vanishing culture, it is in these humble arts that the strength of Native culture lives on."
To Order this book

Literature on Native America


An Overview of Pacific Northwest Native Indian Art
Free downloadable e-book

American Indian Women's Activism in the 1960s and 1970s
by Donna Hightower Langston
Complete article

Linguists Find the Words, and Pocahontas Speaks Again
By JOHN NOBLE WILFORD

Hero, Hawk, and Open Hand, The Book
Early tribal artifacts put in spotlight at the Smithsonian National Museum of Natural History
Click here, Stewart Quandelacy, Blue Peruvian Opal Medicine Bear

"Communing with Bears"
By Sara Wright
Communing with Bears is the story of a joyful encounter between one woman and a black bear.

Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.

Web Sites:


Andres Quandelacy, Blue Peruvian Opal Bear with Fish

Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
By David Whitney

National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony

To subscribe to Native Village weekly email reminders, please send your email address to:
NativeVillage500@aol.com
NATIVE VILLAGE YOUTH AND EDUCATION NEWS is a free newsletter which informs and celebrates in the education, values, traditions, and accomplishments of the Americas' First Peoples.
Member: Native American Journalists Association

Andres Quandelacy, Bisbee Cobolt Azurite Buffalo
Buffalo Field Campaign
PO Box 957
West Yellowstone, MT 59758
(406) 646-0070
bfc-media@wildrockies.org

Home of NAMAPAHH First People's Radio
Host/Producer Robin Carneen
Thurs 7-8pm Sun 4-5pm PST
New group: (my photo album location)
http://spaces.msn.com/members/NativeRadio4all/

Comments: Post a Comment
0 comments

Friday, January 05, 2007

Father-and-son artists Bill and Demos Glass

Native American arts daily news, presented by
amerindianarts.us

Gibbs Othole Blue Andean Opal bear

Man hunting for American Indian artifacts finds ancient fishhook

American Indian fishhook crafted from bone feeds curiosity

Scottsdale galleries make Arizona an art zone

Father-and-son artists Bill and Demos Glass

Reuben Snake papers carry his spirit to National Museum

Auctions-A cache of Indian objects sees the light

Key Indian Leader Welmas Dead At 77

INSTITUTE OF AMERICAN INDIAN ARTS


Aurora, Illinois

Schingoethe Center for Native American Cultures

Aurora University's Schingoethe Center: Aurora University's Dunham Hall provides the setting for the Schingoethe Center for Native American Cultures, which opened in 1990. Herbert and Martha Schingoethe donated their collection of more than 6,000 items of American Indian arts, artifacts and related materials. In its museum and educational work, the center is committed to maintaining the highest standards of professional, scholarly and ethical excellence. The center is at 1400 Marseillaise Place, Aurora. Hours are 10 a.m. to 6 p.m. Tuesdays, 10 a.m. to 4 p.m. Wednesdays through Fridays and 1 to 4 p.m. Sundays. $3/adults, $2 students and seniors, $1 children under 12. (630) 844-5402.

'Children in Native America:' Artifacts and photographs tell the story, from prehistoric to modern times, about how American Indian children grew up, how they learned, what they wore and what they played with. See children's toys, clothing, historic photographs and other artifacts.

'Moment in Time': The Schingoethe Center for Native American Cultures will host Moment in Time , an exhibition of hand-colored lithograph by artists Edward Curtis and Gertrude Kasebier, through Mar. 20. Curtis made Native American photography his life's work, beginning with photographs of Chief Seattle's daughter in 1895. Kasebier operated a portrait studio in Washington, D.C.

'Native Peoples of Illinois 1673-1835: There's No Place Like Home:' This award-winning exhibit that includes displays devoted to understanding the "lifeways" of the Woodland tribes in Illinois. A full-scale wigwam and campsite help bring alive daily life in earlier times.

Nizhoni Southwest Gallery: Timbered and plastered in a design reminiscent of the pueblo architecture of the Southwest, this new gallery showcases Schingoethe's extensive collection of materials, including contemporary and historic Kachina dolls, along with displays telling their history. It explains the Hopi ceremonial cycle and the appearance of Kachinas in the Hopi tradition.

'Skystone and Silver -- Jewelry of the Southwest:' See selections from the center's extensive collection of Hopi, Zuni and Navajo jewelry, together with the history of jewelry in the cultures of the Southwest tribes. Southwest jewelry has ancient roots, which led to an explosion of creative activity that resulted in jewelry of unique beauty.


MONTCLAIR, NJ.- The Montclair Art Museum presents Jaune Quick-to See-Smith: Made in America, on view through January 15, 2007 at its Judy and Josh Weston Exhibition Gallery. Jaune Quick-to-See Smith uses humor and satire to examine myths, stereotypes, and the paradox of American Indian life in contrast to the consumerism of American society


Museum of New Mexico/Museum of Indian Arts & Culture
Current and Online Exhibitions


Coyote in the Buffalo Country - Nez Perce

Just before Coyote reached the Buffalo country, he came to an old buffalo-bull lying down. He had been gored and torn by another buffalo-bull, and was badly crippled. Coyote walked around Buffalo and looked him over. Then Coyote took off his breech-cloth and urinated in Buffalo's face. So Buffalo said to Coyote, "Coyote, you have treated me shamefully, although you see that I am badly hurt. I had ten wives, but another bull took them from me and crippled me thus." Now, this Buffalo that talked to Coyote was very old, and his horns were dull and short. Coyote asked Buffalo where the other one was that had taken the ten wives, and Buffalo replied that he ranged close by. Then Coyote said, "I will make you a set of new horns; I will bathe you and cure you; and when you get well, you can recover your wives. But if I cure you, and you recover the wives, I want one of them to take home with me."

Buffalo agreed to give him one. So Coyote went to a small creek and dug a bathing-hole in the ground, and filled it with water. Then he heated a pile of stones and put them into the water. Buffalo bathed in this hot water for five days, and at the end of these five days he was entirely well. Then Buffalo lay down, and Coyote went to work on his horns. With his flint knife he scraped and pointed the horns; and when they were sharp, he put rattlesnake-poison on them. Then they went on to meet the others.

Now, when Coyote and Buffalo came in sight of the others, the young bull that had defeated the old one recognized the enemy whose wives he had stolen, but he did not see Coyote. He met old Buffalo, and tried to force him back; but after they had fought for a time, and had begun to grow tired, the older one caught the other in the flank, and tore a great hole that let the entrails out. The young bull died, and the old one gathered up his old wives as well as those of his victim.

Coyote devoured as much of the dead Buffalo's flesh as he could hold; then he said, "Well, I have had enough now; give me one of the Buffalo-Cows for a wife, and I will go home." So Coyote picked out one to take with him; and Buffalo told Coyote, "This Buffalo-Cow must go with you for ten full days before you dare to touch her." Coyote agreed to wait ten days, and they started.

Coyote took the lead, and the cow followed him. When night came, they would sleep at a distance from each other. The sixth day Buffalo-Cow could talk to Coyote a little, and on the eighth day the Buffalo-Cow turned into a Coyote woman. After this had happened, Coyote could hardly keep his vow. The tenth day she slept on the opposite side of the fire, and Coyote could not sleep. When it was nearly daylight, Coyote crept over to where she was and touched her. As soon as he did this, she jumped up as a buffalo-cow again, and rushed out. Coyote sat by the fire and howled, while Buffalo-Cow went back to the herd.

Then Coyote decided he would go back and get her. He thought he would know better next time. When he arrived at the Buffalo camp, Coyote told Buffalo-Bull that he had had a nightmare that last night, and had frightened away his new wife. Then Buffalo Bull told Coyote, "She will not go a second time; now you will have to go home alone."

Coyote said, "This country will always be this way. When a man starts back from here with a new wife, he will always lose her before he gets home."

Nez Perce Tales, By Herbert J. Spinden, 1907

http://groups.msn.com/KeeperofStories/
Reprinted by permission


Articles by Amerindian Arts


Note on Zuni substance

Concept of the Sublime

Dorothy Dunn On Primitive Art
(Excerpt)Quoting Alice Corbin Henderson, Dunn states that in an Indian society, art is "possessed in common" and "totally lacking in individualistic concept." Thus, objectivity is enjoined with intentionality as personal accomplishment without a reference to the individual. This would satisfy a pedagogic sense of rationality in that in an Indian society "the surest way to make a prayer effective is to symbolize the matter prayed for" (Bandelier). If the prayer (the art of rhetoric) was effective, then it was handed down from generation to generation and its success justified its rationality.

Essay on the Zuni World View

Bibliography of the Zuni Language

Indian Ledger Art-Resources and Information

Books of Interest


Navajo Spaceships

Classic Hopi And Zuni Kachina Figures

MESA VERDE NATIONAL PARK: THE FIRST 100 YEARS

Fine Indian Jewelry: The Millicent Rogers Museum Collection

AEQ Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Frawley, William, Kenneth C. Hill, and Pamela Munro, eds. Berkeley: University of California Press, 2002. 450 pp. ISBN 0520229967, $34.95.
© 2004 American Anthropological Association Book Review of Making Dictionaries: Preserving Indigenous Languages of the Americas .
Reviewed for the Anthropology & Education Quarterly by Catherine S. Fowler
University of Nevada
csfowler@unr.nevada.edu
To Order this book

THE FOURTH WORLD
W. Tussinger has written his first novel which was released in December, 2004.
W. Tussinger is a member of the Wyandotte Nation of Oklahoma and has lived on several reservations including the Yuroks of Northern California and the Yakamas of Washington State where he attended college.
To Order this book

THE WOMEN/Edward S. Curtis
by Christopher Cardozo; foreword by Louise Erdrich (Bulfinch Press, $35) — Cardozo, who lives in Minneapolis, is the world's foremost expert on, and collector of, photos of American Indians taken by turn-of-the-century photographer Edward S. Curtis. Cardozo went through 1,000 photos to find the 100 sepia-toned images in this book, which show the daily lives of American Indian women at a time when most were already on reservations. Minneapolis novelist and poet Erdrich discusses women's work in her foreword: " … although Edward Curtis believed that he was documenting a vanishing culture, it is in these humble arts that the strength of Native culture lives on."
To Order this book

Literature on Native America


An Overview of Pacific Northwest Native Indian Art
Free downloadable e-book

American Indian Women's Activism in the 1960s and 1970s
by Donna Hightower Langston
Complete article

Linguists Find the Words, and Pocahontas Speaks Again
By JOHN NOBLE WILFORD

Hero, Hawk, and Open Hand, The Book
Early tribal artifacts put in spotlight at the Smithsonian National Museum of Natural History
Click here, Stewart Quandelacy, Blue Peruvian Opal Medicine Bear

"Communing with Bears"
By Sara Wright
Communing with Bears is the story of a joyful encounter between one woman and a black bear.

Literacy in Indigenous Communities by L. David van Broekhuizen, Ph.D. (2000)
HTML Format (70K)
PDF Format(117K)
Literacy in first languages in indigenous communities is a complex topic that generates lively discussion. This research synthesis explores the notions of national, mother-tongue, multiple, and biliteracies. It presents important information pertaining to threatened languages, language shift, and language loss. Examples of culturally relevant uses of literacy in indigenous communities and issues related to first-language literacy instruction are also provided.

Web Sites:


Andres Quandelacy, Blue Peruvian Opal Bear with Fish

Native American Links Page
Indigenous Peoples Literature
Native Voice
Wisdom of the Old People
By David Whitney

National Association of Tribal Historic Preservation
Inuit film to tell story of last great shaman
My Two Beads Worth: Indigenous News Online
Northern California Indian Development Council
Native Village
Smudge Ceremony

To subscribe to Native Village weekly email reminders, please send your email address to:
NativeVillage500@aol.com
NATIVE VILLAGE YOUTH AND EDUCATION NEWS is a free newsletter which informs and celebrates in the education, values, traditions, and accomplishments of the Americas' First Peoples.
Member: Native American Journalists Association

Andres Quandelacy, Bisbee Cobolt Azurite Buffalo
Buffalo Field Campaign
PO Box 957
West Yellowstone, MT 59758
(406) 646-0070
bfc-media@wildrockies.org

Home of NAMAPAHH First People's Radio
Host/Producer Robin Carneen
Thurs 7-8pm Sun 4-5pm PST
New group: (my photo album location)
http://spaces.msn.com/members/NativeRadio4all/

Comments: Post a Comment
0 comments